Until the spooky magic begins, too close to the end, the book casts a rather lukewarm spell.
Howe (The Appearance of Annie van Sinderen, 2015, etc.) returns with a creepy, witchy sequel to The Physick Book of Deliverance Dane (2009).
Though her former professor and adviser remains in a mental hospital, Connie Goodwin has turned her continued fascination with witchcraft in early America into a tenure-track professorship. She’s working hard to finish her book, serving as a mentor to graduate students, and living with Sam Hartley, her steeplejack beau. Her mother, Grace, continues to inspire exasperated affection; when Connie goes to visit her, Grace insists on tying an eagle stone around her wrist as a symbol of maternal protection—the first clue that Connie is pregnant. Grace also tells Connie she should break up with Sam, pointing out that generations of women in their family have lost their husbands young, to sudden deaths. As Connie begins to research this phenomena, she discovers a single exception—Temperance Hobbs, an 18th-century ancestor whose portrait sits above Grace’s fireplace and whose husband lived to be over 100. When Connie discovers a hidden box behind the portrait, it’s clear that there might be a way to save Sam—but the consequences to the natural world may be greater than they can afford to pay. The story cuts back and forth between Connie's life in 2000 and the women engaged in “weather work” in the early Colonial period, and it takes a long time to build to a climax. Howe clearly has enjoyed doing her research; Connie’s role as academic allows her to educate us about the history of witchcraft in America without too much lecturing. The characters are likable, but the mood and plot are slow to build.
Until the spooky magic begins, too close to the end, the book casts a rather lukewarm spell.Pub Date: June 25, 2019
ISBN: 978-1-250-30486-5
Page Count: 352
Publisher: Henry Holt
Review Posted Online: March 30, 2019
Kirkus Reviews Issue: April 15, 2019
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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