A fun and demystifying manual that seeks to humanize networking.
A debut guide to networking targets readers who hate the practice.
Thanks to her early years accompanying her professionally itinerant father, Patterson came to think of herself as the “Professional New Girl” who was always dealing with a fresh environment where she knew nobody. She’d gone from New Jersey to the Dallas suburbs, “where old money mingled with new and my classmates popped the collars on their Ralph Lauren Polos and cuffed the hems of their madras plaid Bermuda shorts before they left for the country club.” The years of needing to make new ties and friends shaped her, she later realized, into “a natural connector,” somebody who was still “painfully, tragically uncomfortable walking into a room full of strangers” but who could nonetheless do it and triumph. In the course of her chatty and smoothly involving book, she lays out a series of pithy observations and tips for people in the business world who face the prospect of networking with less confidence than a “Professional New Girl.” In a series of easily flowing chapters, she focuses on some of the ways people navigate networking events incorrectly or poorly. Effective networking is about far more than shaking hands and passing out business cards, she asserts: It’s about building relationships based on genuine respect and affection. “It’s hard to connect with people when you’re unhappy, and it’s damn near impossible to connect with people when you don’t like and respect them,” she writes. “Because (ahem!) we do business with people we know, like, and trust.” Throughout the personable guide, Patterson adopts a tone of jocular chiding combined with helpful pragmatism (sections are anchored with a series of “Prompts and Activities” to help readers codify her valuable suggestions). Readers who’ve dreaded networking or been frustrated by failures will no doubt discover some of their errors pointedly probed here, which may be uncomfortable. But they will also find an enormous amount of worthy advice in these pages.
A fun and demystifying manual that seeks to humanize networking.Pub Date: Feb. 25, 2019
ISBN: 978-0-578-43847-4
Page Count: 254
Publisher: Two Chickens Press
Review Posted Online: Feb. 7, 2019
Kirkus Reviews Issue: March 15, 2019
Review Program: Kirkus Indie
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
