Paterson, who has already earned regard with her historical fiction set in Japan, proves to be just as eloquent and assured when dealing with contemporary American children—and Americans of very different backgrounds at that. Jess, from an uneducated family in rural Virginia, has been practicing all summer to become the fastest runner at school—a reputation more desirable than his present image as "that crazy little kid who draws all the time." But Jess is beaten in the first race of the fifth-grade year by a newcomer—who is also the first girl ever to invade the boys' part of the playground. Soon Jess and Leslie, whose parents have moved from the suburbs because they're "reassessing their value structure," become close friends. On her lead they create Terabithia, a secret magic kingdom in the woods, and there in the castle stronghold she tells him wonderful stories. . . about a gloomy prince of Denmark, or a crazy sea captain bent on killing a whale. She lends him her Narnia books and lectures him on endangered predators. . . but he teaches her compassion for a mean older girl at school. Indeed Leslie has brought enchantment into his life. Then one morning, with the creek they must swing over to reach Terabithia dangerously swollen by rain, and Jess torn between his fear of the maneuver and his reluctance to admit it, he is saved by an invitation to visit the National Gallery with his lovely music teacher. The day is perfect—but while he is gone Leslie is killed, swinging into Terabithla on their old frayed rope. Jess' feelings range from numb denial to rage to guilt to desolation (at one point the thought occurs that "I am now the fastest runner in the fifth grade")—typical grief reactions, but newly wrenching as Jess is no representative bibliotherapeutic model. By the end, he is ready to think about giving back to the world something of what he had received from Leslie. You'll remember her too.
Pub Date: Sept. 14, 1977
ISBN: 0061227285
Page Count: 180
Publisher: T.Y. Crowell
Review Posted Online: Oct. 26, 2011
Kirkus Reviews Issue: Sept. 1, 1977
SEEN & HEARD
New parents of daughters will eat these up and perhaps pass on the lessons learned.
All the reasons why a daughter needs a mother.
Each spread features an adorable cartoon animal parent-child pair on the recto opposite a rhyming verse: “I’ll always support you in giving your all / in every endeavor, the big and the small, / and be there to catch you in case you should fall. / I hope you believe this is true.” A virtually identical book, Why a Daughter Needs a Dad, publishes simultaneously. Both address standing up for yourself and your values, laughing to ease troubles, being thankful, valuing friendship, persevering and dreaming big, being truthful, thinking through decisions, and being open to differences, among other topics. Though the sentiments/life lessons here and in the companion title are heartfelt and important, there are much better ways to deliver them. These books are likely to go right over children’s heads and developmental levels (especially with the rather advanced vocabulary); their parents are the more likely audience, and for them, the books provide some coaching in what kids need to hear. The two books are largely interchangeable, especially since there are so few references to mom or dad, but one spread in each book reverts to stereotype: Dad balances the two-wheeler, and mom helps with clothing and hair styles. Since the books are separate, it aids in customization for many families.
New parents of daughters will eat these up and perhaps pass on the lessons learned. (Picture book. 4-8, adult)Pub Date: May 1, 2019
ISBN: 978-1-4926-6781-0
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
A charming friendship story and great setup for future books.
Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.
Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.
A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)Pub Date: April 10, 2018
ISBN: 978-1-4197-2859-4
Page Count: 144
Publisher: Amulet/Abrams
Review Posted Online: Dec. 10, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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