Next book

JACOB HAVE I LOVED

We meet Louise Bradshaw in the summer of 1941, smarting under the disproportionate attention lavished on her fragile, musically talented twin sister Caroline since their birth 13 years earlier. We get to know her better the next summer when she and her cumbersome male friend Cal take up with old "Captain" Wallace, a 70-year-old native of their Chesapeake Island who has returned after a 50-year absence. Louise resents Cal's special relationship with the Captain, and resents even more her sister's subsequent friendship with both Cal and the Captain. She is devastated when the Captain offers to send Caroline off to music school; and when Cal and the other young men go off to war, Louise willingly drops out of high school to help her waterman father with the crabs and oysters. Perhaps the biggest blow is when Cal returns from the war all grown up, and announces his intention of marrying Caroline, now off at Juilliard. The interesting aspect of all Louise's torment and self-sacrifice is the growing realization that it isn't being forced on her. But not until she has settled down as a nurse-midwife (the only medical help) in a small Appalachian community—marrying a man with three children to boot—does she recognize and freely accept that she was destined to fulfill herself in a life of service. Paterson has to get into these later years to make the point, and to avoid the instant realizations that substitute in too many juvenile novels. However, this tends to flatten the tone and blur the shape of the novel. Louise's earlier, intense feelings evoke recognition and sympathy, but this hasn't the resonant clarity of Bridge to Terabitha or The Great Gilly Hopkins.

Pub Date: Oct. 22, 1980

ISBN: 0064403688

Page Count: 276

Publisher: T.Y. Crowell

Review Posted Online: Oct. 26, 2011

Kirkus Reviews Issue: Oct. 1, 1980

Next book

INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

Awards & Accolades

Likes

  • Readers Vote
  • 10


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

CARAVAL

From the Caraval series , Vol. 1

Immersive and engaging, despite some flaws, and destined to capture imaginations.

Awards & Accolades

Likes

  • Readers Vote
  • 10


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.

Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.

Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)

Pub Date: Jan. 31, 2017

ISBN: 978-1-250-09525-1

Page Count: 416

Publisher: Flatiron Books

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 1, 2016

Close Quickview