The moral ambiguity makes the story more modern than its premise would suggest—and proves how well its source material holds...
Great works of literature and other priceless antiques populate Reay’s (Lizzy & Jane, 2014, etc.) thoughtful tribute to the Brontë sisters.
Lucy Alling has found her niche selling rare books inside the gallery of Chicago’s premier interior designer. She charms her client James Carmichael with a limited-edition Jane Eyre—and her latent talent for design—but when James catches Lucy in a lie, he exposes a secret that could end her career. Just when all hope is seemingly lost, Lucy peeks up at readers from the middle pages and assures us that her story is far from over: “All books have it…that time when you don’t know where you’ll be, but you can’t stay as you are.” Opportunity knocks when James’ grandmother Helen proposes an unusual trip to England’s literary landmarks with Lucy as her shopping consultant. James’ disapproval adds tension, and the shopping transforms Lucy’s soul-searching into something more tangible. Reay handles each souvenir as carefully with her prose as her interior designers do with their hands—creating the effect of walking through an expensive gallery without any pressure to buy—and with a discerning eye, she brings out the varying shades of emotion in her characters. Lucy, for example, compares Helen’s eyes to paint colors—they start out as “Benjamin Moore #810 Blue Dragon” and change with her mood. Confronting her past at the Brontë sisters’ home in Haworth, Lucy soon discovers how much she and Helen have in common. Although age brings wisdom, Helen suggests that even wisdom can come with a price.
The moral ambiguity makes the story more modern than its premise would suggest—and proves how well its source material holds up over time.Pub Date: Nov. 3, 2015
ISBN: 978-1-4016-8975-9
Page Count: 336
Publisher: Thomas Nelson
Review Posted Online: Aug. 16, 2015
Kirkus Reviews Issue: Sept. 1, 2015
BOOK REVIEW
BOOK REVIEW
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
Hoffman (The Red Garden, 2011, etc.) births literature from tragedy: the destruction of Jerusalem's Temple, the siege of Masada and the loss of Zion.
This is a feminist tale, a story of strong, intelligent women wedded to destiny by love and sacrifice. Told in four parts, the first comes from Yael, daughter of Yosef bar Elhanan, a Sicarii Zealot assassin, rejected by her father because of her mother's death in childbirth. It is 70 CE, and the Temple is destroyed. Yael, her father, and another Sicarii assassin, Jachim ben Simon, and his family flee Jerusalem. Hoffman's research renders the ancient world real as the group treks into Judea's desert, where they encounter Essenes, search for sustenance and burn under the sun. There too Jachim and Yael begin a tragic love affair. At Masada, Yael is sent to work in the dovecote, gathering eggs and fertilizer. She meets Shirah, her daughters, and Revka, who narrates part two. Revka's husband was killed when Romans sacked their village. Later, her daughter was murdered. At Masada, caring for grandsons turned mute by tragedy, Revka worries over her scholarly son-in-law, Yoav, now consumed by vengeance. Aziza, daughter of Shirah, carries the story onward. Born out of wedlock, Aziza grew up in Moab, among the people of the blue tunic. Her passion and curse is that she was raised as a warrior by her foster father. In part four, Shirah tells of her Alexandrian youth, the cherished daughter of a consort of the high priests. Shirah is a keshaphim, a woman of amulets, spells and medicine, and a woman connected to Shechinah, the feminine aspect of God. The women are irretrievably bound to Eleazar ben Ya'ir, Masada's charismatic leader; Amram, Yael's brother; and Yoav, Aziza's companion and protector in battle. The plot is intriguingly complex, with only a single element unresolved. An enthralling tale rendered with consummate literary skill.
Pub Date: Oct. 4, 2011
ISBN: 978-1-4516-1747-4
Page Count: 512
Publisher: Scribner
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
