A wild, steamy story with erudite sex-as-art undertones.
Provocative, orgiastic snippets from a sexual voyeur’s social life.
Known for an oeuvre of titillating material, anonymous author K (Honey B., The Suite Life, 2012) explores the fascinating, visually active life of bearded, middle-aged “watcher” James Boyle O’Donahue. Irish, single and unlucky in love, O’Donahue fully embraces his penchant for voyeuristic, erotic, group events. Unapologetic to a fault, he allows himself to revel in this clandestine fetish, defensively remarking that the ones being watched are indeed willing participants—their “secret passions are not spoiled by a witness participating in the redefinition of privacy.” Armed with boundless energy, dynamic tour guide O’Donahue directs readers through a wide array of creatively themed sex clubs: Revelry, a “small luxurious pit surrounded by theater seats”; the Lunarium, a fantasy event where he accompanies an unnamed companion; and the Beach, with its taboo “Beyond the Rocks” private area that’s a “sexual potluck” starring 12 randy, experimental couples and a roomful of writhing performers at a lactating “tit talent show.” Written with verve and a contagious sense of exhibitionism, K’s first-person narrative is divided into 70 “things”: brief chapters that descriptively chart O’Donahue’s carnivalesque adventures at risqué live theater performances. Amid this plethora of vicariously thrilling and erotic “sexual fiestas,” O’Donahue takes time to philosophically ponder the nature of strippers, compares gawkers to voyeurs, gets schooled by a sex professor and breathlessly observes amazing (and not so amazing) feats of carnality. K doesn’t aim for subtlety, but as a whole, the sexual observances form an enlightening examination of voyeurism.
A wild, steamy story with erudite sex-as-art undertones.Pub Date: Nov. 2, 2011
ISBN: 978-1466233010
Page Count: 196
Publisher: CreateSpace
Review Posted Online: April 4, 2013
Kirkus Reviews Issue: May 1, 2013
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Refreshingly filled with love rather than sex, this coming-of-age novel examines the human cost of political repression.
A star-crossed romance captures the turmoil of pre-revolutionary Iran in Seraji’s debut.
From the rooftops of Tehran in 1973, life looks pretty good to 17-year-old Pasha Shahed and his friend Ahmed. They’re bright, funny and good-looking; they’re going to graduate from high school in a year; and they’re in love with a couple of the neighborhood girls. But all is not idyllic. At first the girls scarcely know the boys are alive, and one of them, Zari, is engaged to Doctor—not actually a doctor but an exceptionally gifted and politically committed young Iranian. In this neighborhood, the Shah is a subject of contempt rather than veneration, and residents fear SAVAK, the state’s secret police force, which operates without any restraint. Pasha, the novel’s narrator and prime dreamer, focuses on two key periods in his life: the summer and fall of 1973, when his life is going rather well, and the winter of 1974, when he’s incarcerated in a grim psychiatric hospital. Among the traumatic events he relates are the sudden arrest, imprisonment and presumed execution of Doctor. Pasha feels terrible because he fears he might have inadvertently been responsible for SAVAK having located Doctor’s hiding place; he also feels guilty because he’s always been in love with Zari. She makes a dramatic political statement, setting herself on fire and sending Pasha into emotional turmoil. He is both devastated and further worried when the irrepressible Ahmed also seems to come under suspicion for political activity. Pasha turns bitterly against religion, raising the question of God’s existence in a world in which the bad guys seem so obviously in the ascendant. Yet the badly scarred Zari assures him, “Things will change—they always do.”
Refreshingly filled with love rather than sex, this coming-of-age novel examines the human cost of political repression.Pub Date: May 5, 2009
ISBN: 978-0-451-22681-5
Page Count: 368
Publisher: NAL/Berkley
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2009
Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...
Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.
When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.
Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.Pub Date: April 23, 2013
ISBN: 978-0-312-57721-6
Page Count: 416
Publisher: St. Martin's
Review Posted Online: Feb. 17, 2013
Kirkus Reviews Issue: March 1, 2013
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