This comprehensive take on American immigration history is strong on facts and weak on analysis.
Beginning with the arrival of the continent’s first Indigenous inhabitants and ending with events following the 2016 election, this book chronicles the social, cultural, and political trends that have shaped the United States’ historically fraught relationship with immigration.
Krull contextualizes important pieces of legislation such as the Alien and Sedition Acts of 1798 and the Chinese Exclusion Act of 1882, tracing how everything from labor demands to world wars shaped American attitudes toward newcomers. The text is peppered with profiles of immigrants, ranging from the children onboard the Mayflower to cellist Yo-Yo Ma, who immigrated to the States from China via France, and Apple founder Steve Jobs, whose birth father and adoptive mother were both immigrants. Laudably, Krull categorically dismisses the classification of slaves as immigrants, and she frankly recounts the genocide of Native Americans. Too often, though, Krull approaches immigration from a deficit mentality. For example, she characterizes immigrants who are learning English as poor performers in school rather than framing them as bilingual; uncritically recounts America’s openness to “any able-bodied immigrant”; and praises the fact that ”all” newcomers to America “have assimilated,” without acknowledging the cultural loss that entails. Most problematically, she asserts without any context that “it’s human nature to be suspicious of people different than us,” seemingly excusing the very xenophobia the book clearly wishes to fight.
This comprehensive take on American immigration history is strong on facts and weak on analysis. (Nonfiction. 10-14)Pub Date: June 16, 2020
ISBN: 978-0-06-238113-2
Page Count: 288
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 25, 2020
Kirkus Reviews Issue: March 15, 2020
A powerful resource for young people itching for change.
Soccer star and activist Wambach adapts Wolfpack (2019), her New York Times bestseller for adults, for a middle-grade audience.
“YOU. ARE. THE. WOLVES.” That rallying cry, each word proudly occupying its own line on the page, neatly sums up the fierce determination Wambach demands of her audience. The original Wolfpack was an adaptation of the viral 2018 commencement speech she gave at Barnard College; in her own words, it was “a directive to unleash [the graduates’] individuality, unite the collective, and change the world.” This new adaption takes the themes of the original and recasts them in kid-friendly terms, the call to action feeling more relevant now than ever. With the exception of the introduction and closing remarks, each short chapter presents a new leadership philosophy, dishing out such timeless advice as “Be grateful and ambitious”; “Make failure your fuel”; “Champion each other”; and “Find your pack.” Chapters utilize “rules” as a framing device. The first page of each presents a generalized “old” and “new” rule pertaining to that chapter’s guiding principle, and each chapter closes with a “Call to the Wolfpack” that sums up those principles in more specific terms. Some parts of the book come across as somewhat quixotic or buzzword-heavy, but Wambach deftly mitigates much of the preachiness with a bluff, congenial tone and refreshing dashes of self-deprecating humor. Personal anecdotes help ground each of the philosophies in applicability, and myriad heavy issues are respectfully, yet simply broached.
A powerful resource for young people itching for change. (Nonfiction. 10-14)Pub Date: Oct. 6, 2020
ISBN: 978-1-250-76686-1
Page Count: 112
Publisher: Roaring Brook Press
Review Posted Online: Aug. 31, 2020
Kirkus Reviews Issue: Sept. 15, 2020
A rich and deeply felt slice of life.
Crafting fantasy worlds offers a budding middle school author relief and distraction from the real one in this graphic memoir debut.
Everyone in Tori’s life shows realistic mixes of vulnerability and self-knowledge while, equally realistically, seeming to be making it up as they go. At least, as she shuttles between angrily divorced parents—dad becoming steadily harder to reach, overstressed mom spectacularly incapable of reading her offspring—or drifts through one wearingly dull class after another, she has both vivacious bestie Taylor Lee and, promisingly, new classmate Nick as well as the (all-girl) heroic fantasy, complete with portals, crystal amulets, and evil enchantments, taking shape in her mind and on paper. The flow of school projects, sleepovers, heart-to-heart conversations with Taylor, and like incidents (including a scene involving Tori’s older brother, who is having a rough adolescence, that could be seen as domestic violence) turns to a tide of change as eighth grade winds down and brings unwelcome revelations about friends. At least the story remains as solace and, at the close, a sense that there are still chapters to come in both worlds. Working in a simple, expressive cartoon style reminiscent of Raina Telgemeier’s, Sharp captures facial and body language with easy naturalism. Most people in the spacious, tidily arranged panels are White; Taylor appears East Asian, and there is diversity in background characters.
A rich and deeply felt slice of life. (afterword, design notes) (Graphic memoir. 10-13)Pub Date: May 18, 2021
ISBN: 978-0-316-53889-3
Page Count: 320
Publisher: Little, Brown
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
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