edited by Kathleen Krull & illustrated by Allen Garns ‧ RELEASE DATE: Oct. 1, 1992
Citing the splendid Fireside Book of Folk Songs (1947, o.p.) as inspiration, Krull gathers 60 lively favorites, old and new, with contemporary appeal—protest and work songs, games and dances, spirituals, nonsense, love songs, etc. Her arrangement is creative: alphabetical order leads to some nice serendipities, e.g., ending with some searching w's—``What Have They Done to the Rain?; ``Will the Circle Be Unbroken?''—and ``Yankee Doodle,'' while an index of song types brings out many other connections. Krull provides simple musical arrangements and fascinating brief introductions to the songs' histories, including recordings by well-known singers from Pete Seeger to the Beach Boys. These are not all pure folk, but they've all been widely sung as if they were, and Krull is scrupulous in accounting for their diverse origins. Even her instructions for singing are fun: ``Unladylike''; ``As if you're seasick.'' Only Garns's illustrations, on almost every spread, are a bit uneven: some seem perfunctory in their choice of subject and in execution; but, elsewhere, he uses the lush tones of his pastels to better advantage in energetic designs, deftly sketched vignettes (``Joe Hill''), or glowing, evocative scenes. An inviting book. Index of first lines. (Nonfiction. 6+)
Pub Date: Oct. 1, 1992
ISBN: 0-394-81991-8
Page Count: 148
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1992
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by Kate Klise & illustrated by M. Sarah Klise ‧ RELEASE DATE: April 1, 1998
It starts off innocently enough, with principal Walter Russ asking artist Florence Waters to sell him a drinking fountain for the Dry Creek Middle School. But art and bureaucracy are about as different as, well, flood and drought, and this book pits such opposites with hilarious results. Town villains Dee Eel (president of Dry Creek Water Company) and Sally Mander (chief executive of the Dry Creek Swimming Pool) absconded with the town's water supply, turning what used to be Spring Creek into Dry Creek. This all gets uncovered by ``Sam N.'s fifth-grade class,'' who is doing a project on the history of the town. What makes this tale an unequivocal delight is that it's told through letter, memos, newspaper clippings, school announcements, and inventive black-and-white drawings; even less-skilled readers will be drawn in by the element of perusing ``other people's mail'' to find out why Spring Creek went dry, and to decode the water-related names of the characters. Florence and her intriguing attitude and art win over the class, Sam, and even the stuffy principal—how she does it is part of a tale overflowing with imagination and fun. (Fiction. 9-13)
Pub Date: April 1, 1998
ISBN: 0-380-97538-6
Page Count: 138
Publisher: Avon/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1997
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by Lois Lowry & illustrated by Middy Thomas ‧ RELEASE DATE: Sept. 1, 2002
Gooney Bird Greene (with a silent E) is not your average second grader. She arrives in Mrs. Pidgeon’s class announcing: “I’m your new student and I just moved here from China. I want a desk right smack in the middle of the room, because I like to be right smack in the middle of everything.” Everything about her is unusual and mysterious—her clothes, hairstyles, even her lunches. Since the second graders have never met anyone like Gooney Bird, they want to hear more about her. Mrs. Pidgeon has been talking to the class about what makes a good story, so it stands to reason that Gooney will get her chance. She tells a series of stories that explain her name, how she came from China on a flying carpet, how she got diamond earrings at the prince’s palace, and why she was late for school (because she was directing a symphony orchestra). And her stories are “absolutely true.” Actually, they are explainable and mesh precisely with the teacher’s lesson, more important, they are a clever device that exemplify the elements of good storytelling and writing and also demonstrate how everyone can turn everyday events into stories. Savvy teachers should take note and add this to their shelf of “how a story is made” titles. Gooney Bird’s stories are printed in larger type than the narrative and the black-and-white drawings add the right touch of sauciness (only the cover is in color). A hybrid of Harriet, Blossom, and Anastasia, irrepressible Gooney Bird is that rare bird in children’s fiction: one that instantly becomes an amusing and popular favorite. (Fiction. 6-9)
Pub Date: Sept. 1, 2002
ISBN: 0-618-23848-4
Page Count: 96
Publisher: Walter Lorraine/Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2002
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