A brief but enjoyable historical novel.
A richly detailed debut novel of a Southern girl’s 1960s childhood.
Twelve-year-old Lucy Moore tells the story of her life in Memphis, Tennessee, after her mother and two sisters relocate from Germantown. She tells tales of warmth and nostalgia—walking to the drug store for sodas, saving up coins to purchase dolls, frying an egg on the pavement to test the summer heat—but also reveals the era’s atmosphere of racism. The white Lucy isn’t merely an innocent observer, either; she antagonizes Lila, the family’s African-American housekeeper, by taunting her with hurtful, racial chants.But although Lucy can be cruel, her older sister Caroline and their newly divorced mother, Maggie, treat Lila with respect. Lucy’s father left the family on Christmas Day 1965, and when he later reappears at the house unexpectedly, on the run from the police, Lucy and Caroline are dismayed. Jacobs creates suspense by shifting back to the days right after he left the family, when generous and wealthy relatives Aunt Dodo and Uncle Herman welcomed Maggie and the children for a visit to their St. Louis home. Later, in 1966, Lucy announces that she would like to be a nun, and Maggie arranges a tour of the Sisters of Sorrows Convent, where, Lucy admits, “I began to feel true sorrow for them, rather than the awe I had felt earlier.” Throughout, Lucy struggles with both her father’s absence and the complexities of racism, which turn out to be far more connected than she realizes. Jacobs is a talented, descriptive writer who provides particularly lush descriptions of food: “The cole slaw was smooth and rich and creamy, like my red velvet skirt that I wore last Christmas, and the baked beans were served in little plastic cups, a perfect crusted top waiting to be punched with the tines of our forks.” Lucy and Caroline are well-developed characters, but many of the story’s doting and affectionate adults are too similar. The exception is Lucy’s father, whose criminal transgression is finally revealed toward the novel’s end.
A brief but enjoyable historical novel.Pub Date: N/A
ISBN: N/A
Page Count: 95
Publisher: Dog Ear Publisher
Review Posted Online: March 29, 2016
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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