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A FATAL OVERTURE

The historical detail and the heroine’s romance, brimming with tension, make up for the weak mystery.

An Irish Jewish diva is more adept at solving crimes than ordering her own life.

The year 1900 dawns with a surprise for trouser-role opera singer Ella Shane: a visit from the mother and aunts of her love, Gilbert Saint Aubyn, Duke of Leith. The aristocratic ladies have come to urge Shane to patch up her differences with Gil over her career through a marriage contract. Indeed, Ella is urged to marry Gil by many friends and relatives, including her cousin Tommy, a former champion boxer who shares a Greenwich Village house with her and manages the Ella Shane Opera Company. The visiting ladies move into Ella’s house after they discover a man stabbed to death in their hotel suite. Ella’s friend Hetty, a reporter, is working undercover at the hotel for a story she won’t discuss in detail. But she does reveal that the dead man, son of the owner, was known to prey on women. Shane and Gil agree to an informal engagement. Despite their passion for each other, though, they still can’t agree on how many tours Shane will be able to make. Gil has a bad feeling about his relatives and the dead man, and when Hetty claims to have killed him in self-defense, Ella resolves to discover the truth, unaware that she and Gil face danger from another source.

The historical detail and the heroine’s romance, brimming with tension, make up for the weak mystery.

Pub Date: March 29, 2022

ISBN: 978-1-4967-2725-1

Page Count: 304

Publisher: Kensington

Review Posted Online: Dec. 23, 2021

Kirkus Reviews Issue: Jan. 15, 2022

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THE WIDOW

Everything you’d expect from Grisham, and this time something more.

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  • New York Times Bestseller

After more than three decades of producing bestselling legal thrillers, Grisham tries his hand at a whodunit.

Eleanor Barnett wants Simon Latch to write her a will. That’s pretty much his job description, since practicing law in Braxton, Virginia, for 18 years hasn’t given him much opportunity to spread his wings. But the case of Netty, as she insists he call her, is different. She’s an 85-year-old widow whose second husband, Harry Korsak, left her with something like $20 million in cash and securities. She has a pair of stepsons, Clyde and Jerry Korsak, she’s determined to disinherit. And she already has a will, a document Wally Thackerman drafted a few weeks ago that basically allowed him, as Simon soon discovers, to pillage her estate. So instead of following his usual procedure and asking his longtime secretary, Matilda Clark, to type out the will, Simon types it himself and has it witnessed without saying anything to her. Of course he’d never do what Wally Thackerman did, but given his poverty, his gambling addiction, and his estrangement from his wife, Paula, whose income is a lot more stable than his own, he wouldn’t mind drawing just a bit on Netty’s wealth. As it happens, his new client turns out to be more trouble than she’s worth, maybe even more trouble than she would’ve been worth to Wally. And when she ends up dying, her death is swiftly identified as murder, with every indication that Simon killed her himself. The whodunit is unremarkable, but Grisham handles the legal complexities of the case with professional finesse and adds a wonderfully poignant portrait of a nothingburger lawyer trying his best to keep things more or less legal.

Everything you’d expect from Grisham, and this time something more.

Pub Date: Oct. 21, 2025

ISBN: 9780385548984

Page Count: 416

Publisher: Doubleday

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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