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TALLY TUTTLE TURNS INTO A TURTLE

From the Class Critters series , Vol. 1

A simple story told with aplomb.

Tally Tuttle feels like she’s eaten two helpings of butterflies for breakfast on the first day of second grade.

Tally’s family just moved to the area one week ago for Mom’s new job, and Tally has been worried—what if this new place works out for everyone else in the family except her? At first, the kids in her new classroom make fun of her full name: Tallulah. But thankfully, Mrs. Norrell’s classroom proves to be “a really magical place,” just like Tally’s mother predicted. Once she’s there, the world suddenly changes around her, and Tally transforms into a turtle just long enough to experience what life would be like withdrawn inside a shell. As a turtle, Tally befriends a spider named Clementine, who sometimes shares Tally’s shell for protection. Eventually Tally decides to stop hiding and face the real-life challenge of making new friends head-on. This is an accessible tale that will appeal to young children looking for everyday coping strategies. Tally appears to be White; in Landy’s illustrations classmates appear to be of varied races and ethnicities. Holmes is a veteran YA writer, and this is both Book 1 of the Class Critters series and her chapter-book debut.

A simple story told with aplomb. (animal facts) (Fantasy. 6-9)

Pub Date: Aug. 31, 2021

ISBN: 978-1-4197-5567-5

Page Count: 128

Publisher: Amulet/Abrams

Review Posted Online: June 15, 2021

Kirkus Reviews Issue: July 1, 2021

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DOG DAYS

From the Carver Chronicles series , Vol. 1

This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for...

A gentle voice and familiar pitfalls characterize this tale of a boy navigating the risky road to responsibility. 

Gavin is new to his neighborhood and Carver Elementary. He likes his new friend, Richard, and has a typically contentious relationship with his older sister, Danielle. When Gavin’s desire to impress Richard sets off a disastrous chain of events, the boy struggles to evade responsibility for his actions. “After all, it isn’t his fault that Danielle’s snow globe got broken. Sure, he shouldn’t have been in her room—but then, she shouldn’t be keeping candy in her room to tempt him. Anybody would be tempted. Anybody!” opines Gavin once he learns the punishment for his crime. While Gavin has a charming Everyboy quality, and his aversion to Aunt Myrtle’s yapping little dog rings true, little about Gavin distinguishes him from other trouble-prone protagonists. He is, regrettably, forgettable. Coretta Scott King Honor winner English (Francie, 1999) is a teacher whose storytelling usually benefits from her day job. Unfortunately, the pizzazz of classroom chaos is largely absent from this series opener.

This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for subsequent volumes. (Fiction. 6-9)

Pub Date: Dec. 17, 2013

ISBN: 978-0-547-97044-8

Page Count: 128

Publisher: Clarion Books

Review Posted Online: Oct. 1, 2013

Kirkus Reviews Issue: Oct. 15, 2013

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ACOUSTIC ROOSTER AND HIS BARNYARD BAND

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...

Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.

Pub Date: Sept. 1, 2011

ISBN: 978-1-58536-688-0

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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