Cast in the spirit of her evocative picture-book text for First Painter (illustrated by Rocco Baviera, 2000), veteran novelist and nonfiction writer Lasky offers an apt, poetic tribute to an American classic. Set in O’Keeffe’s legendary retreat, Ghost Ranch, near Abiquiú, N.M., this brief introduction presents a representative day in the later life of the 20th-century painter. Meditative, atmospheric and quietly affecting paintings by the Hans Christian Andersen Award–nominated Israeli painter Eitan consistently evoke O’Keeffe’s singular, curvilinear style and desert-inflected palette. Both author and illustrator employ a light yet meaning-rich touch; the text is spare, the accompanying images (some almost like playful spot art) evoke this unique American landscape and the intense inner life and rooted sensibility of this astounding artist. The book’s quotidian approach is a clear choice—the author wants readers to know this woman through the simple accretion of daily details rather than through an ambitious, fact-driven narrative. Wonderfully understated, this is, on balance, a handsome and appealing complement to Jeanette Winter’s more fact-based My Name Is Georgia: A Portrait (1998) or Rachel Rodriguez and Julie Paschkis’s more inclusive Through Georgia’s Eyes (2006). Includes a brief two-page biographical note with a reproduction of Rust Red Hills, ca. 1930. (author’s note, selected bibliography, sources) (Picture book. 7-10)
Pub Date: June 1, 2009
ISBN: 978-0-374-32529-9
Page Count: 40
Publisher: Melanie Kroupa/Farrar, Straus & Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2009
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
A very pleasing first-chapter book from its funny and tender opening salvo to its heartwarming closer. Ray and his Grampa Halfmoon live in Chicago, but Grampa comes from Oklahoma. Six vignettes make up the short chapters. Among them: Ray finds a way to buy Grampa the pair of moccasins that remind him of home and Smith gets in a gentle jab at the commercialization of Native American artifacts. At a Christmas stuck far away from the Oklahoma relatives the pair finds comfort and joy even when the electricity goes out, and in a funny sequence of disasters, a haircut gone seriously awry enables a purple-and-orange dye job to be just the ticket for little-league spirit. The language is spare, clean, and rhythmic, with a little sentimentality to soften the edges. Ray and Grampa have a warm and loving intergenerational bond that’s an added treat. With a nod toward contemporary Native Americans, Grampa tells Cherokee and Seminole family stories, and when Ray gets to be in a wedding party, the groom is Polish-Menominee and his bride is Choctaw. An excellent choice for younger readers from the author of the bittersweet Rain Is Not My Indian Name (2001). (Fiction. 7-10)
Pub Date: April 1, 2002
ISBN: 0-06-029531-7
Page Count: 80
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2002
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