When Miranda, 13, and her parents come to live in Massachusetts, Miranda finds an old dollhouse, a replica of their new home, in the attic. A more unsettling discovery: by peering through the dollhouse windows, she can observe the past, especially (according to a kitchen calendar) in 1904. Piecing together nonsequential scenes, she learns of an angry mother who's frustrated in her desire to work outside the home and whose abuse of her daughter Dorothy includes locking her in the attic. Another family, during WW II, repeats the pattern of a mother whose anger is linked to wanting a job; this woman attributes her behavior to the house itself, and the family moves. Then Miranda's mother too becomes irrationally abusive and laments her thwarted career—bizarre, since she's a successful M.D. Miranda eventually unravels a mystery that readers will have solved already: Dorothy didn't die in a train wreck but was trapped in the attic. More ingeniously, Miranda finds a way to change history: finding the attic key, she gives it to Dorothy through the dollhouse, with the result that several things change in the present—e.g., Dorothy is still alive. With numerous deftly sketched characters, including a sympathetic boy next door, an intriguing plot, and such dividends as a secret room used to hide escaping slaves, this should keep readers interested. Well wrought and entertaining. (Fiction. 10- 14)
Pub Date: Oct. 1, 1991
ISBN: 0-15-288205-7
Page Count: 260
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1991
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
Ponderous and protracted, with more work needed on both the world and the characters.
Two young teens with special powers face an ancient evil rising from the very heart of the Tinvali Empire in this doorstopping series opener.
Pursued by ruthless agents eager to exploit her mysterious ability to read peoples’ true feelings, Arden—eventually, after many chapters alternating between dual narrators—links up with foundling Mako, a budding music mage who’s carefully hiding the fact that he’s invited an invisible smooth-talking trickster spirit named Narrix to be his lifelong guardian. It seems that some of Narrix’s fellow spirits may be even nastier—and there are ominous hints that they might be sneaking back into the world. Several of Arden’s adventures do more to bulk up the page count than advance the plot in any meaningful way, and though (like many of Mull’s protagonists) she’s a dab hand at snarky banter, she otherwise comes off as a rather wooden character. Readers may find Mako’s journey and conflicts more absorbing, as he struggles to balance the joy of blossoming into an outstanding warrior under Narrix’s tutelage with the sneaking suspicion he’s made a bad choice of tutor. Whether his concerns are valid or not remains to be seen. The leads present white.
Ponderous and protracted, with more work needed on both the world and the characters. (Fantasy. 10-13)Pub Date: April 14, 2026
ISBN: 9780593712047
Page Count: 528
Publisher: Labyrinth Road
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
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