Introductions to 14 women activists, with an audio feature that allows readers to literally hear what they had to say.
The roster opens with Mary McLeod Bethune, speaking of bridges and “brotherhood” in 1955. It goes on to pay respects to a mix of eminent role models (all but three still living), from Maya Angelou and Jane Goodall to Nobel Peace Prize winners Leymah Gbowee and Malala Yousafzai, disabled veteran and recently elected senator Tammy Duckworth, and Native rights activist Suzan Shown Harjo, a founding “director” (actually, trustee) of the National Museum of the American Indian. Each single-spread entry includes a career overview, a stylized but recognizable full-page painted portrait, provocative questions addressed to readers (“What skill do you have that you could teach the people around you?” “Do you think you have an obligation to help those who need it?”), and a transcription of the accompanying sound clip. The last is helpful, as the clips, which are taken from speeches or interviews, run from around 15 to 30 seconds each, and are keyed from a side-mounted touch pad, vary in clarity. The words are all inspirational, and so are the stories. Better still, as examples for budding activists, along with the predictable recitations of jobs, honors, and successes, the overviews often acknowledge failures, cannily characterizing them as first steps or as means to some greater end.
A chorus of voices for justice and change, diverse alike of identity and cause. (further reading) (Novelty/biography. 8-12)Pub Date: March 1, 2019
ISBN: 978-1-64170-131-0
Page Count: 32
Publisher: Familius
Review Posted Online: Feb. 13, 2019
Kirkus Reviews Issue: March 15, 2019
Categories: CHILDREN'S BIOGRAPHY & MEMOIR
Did you like this book?
To Esther Rudomin at eleven Siberia meant the metaphor: isolation, criminals and cruel punishment, snow and wolves; but even in Siberia there is satisfaction from making a friend of a prickly classmate, from seeing a Deanna Durbin movie four times, from earning and studying and eventually belonging.
Especially in Siberia, where not wolves but hunger and dirt and cold are endemic, where shabbiness and overcrowding are taken for granted, where unselfishness is exceptional. At the heart of Mrs. Hautzig's memoir of four years as a Polish deportee in Russia during World War II is not only hardihood and adaptability but uniquely a girl like any other. Abruptly seized in their comfortable home in Vilna, Esther and her family, are shipped in cattle cars to Rubtsovsk in the Altai Territory, work as slave laborers in a gypsum mine until amnesty, then are "permitted" lobs and lodging in the village--if someone will take them in. After sleeping on the floor, a wooden platform is very welcome; after sharing a room with two other families, a separate dung hut seems a homestead. Then Esther goes to school, the greatest boon, and, to her mother's horror, wants to be like the Siberians....Deprivation does not make Esther grim: the saddest day of her life is her father's departure for a labor brigade at the front, her sharpest bitterness is for the bland viciousness of individuals.
Involving from "the end of my lovely world" to the end of exile (when the Rudomins, as Jews, were jeered in Poland), this is a beautiful book with no bar to wide acceptance (and a rich non-juvenile jacket by Nonny Hogrogian). (Memoir. 8-12)Pub Date: April 15, 1968
ISBN: 978-0-06-447027-8
Page Count: 256
Publisher: T.Y. Crowell
Review Posted Online: Sept. 30, 2020
Kirkus Reviews Issue: April 1, 1968
Categories: CHILDREN'S BIOGRAPHY & MEMOIR
Did you like this book?
A custom-built, bulletproof limo links two historical figures who were pre-eminent in more or less different spheres.
Garland admits that a claim that FDR was driven to Congress to deliver his “Day of Infamy” speech in a car that once belonged to Capone rests on shaky evidence. He nonetheless uses the anecdote as a launchpad for twin portraits of contemporaries who occupy unique niches in this country’s history but had little in common. Both were smart, ambitious New Yorkers and were young when their fathers died, but they definitely “headed in opposite directions.” As he fills his biographical sketches with standard-issue facts and has disappointingly little to say about the car itself (which was commissioned by Capone in 1928 and still survives), this outing seems largely intended to be a vehicle for the dark, heavy illustrations. These are done in muted hues with densely scratched surfaces and angled so that the two men, the period backgrounds against which they are posed, and the car have monumental looks. It’s a reach to bill this, as the author does, a “story about America,” but it does at least offer a study in contrasts featuring two of America’s most renowned citizens. Most of the human figures are white in the art, but some group scenes include a few with darker skin.
The car gets shortchanged, but comparing the divergent career paths of its (putative) two riders may give readers food for thought. (timeline, bibliography) (Picture book/biography. 10-12)Pub Date: March 12, 2019
ISBN: 978-0-88448-620-6
Page Count: 64
Publisher: Tilbury House
Review Posted Online: Jan. 15, 2019
Kirkus Reviews Issue: Feb. 1, 2019
Categories: CHILDREN'S BIOGRAPHY & MEMOIR | CHILDREN'S HISTORY
Did you like this book?
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2021 Kirkus Media LLC. All Rights Reserved.
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
