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PARIS

A LOVE STORY

On a first-name basis with the political movers and shakers on a global stage, Marton has observed world politics in the...

Paris provides a backdrop for this absorbing memoir of love and painful loss, played out on the larger stage of world politics.

While walking the streets of Paris, former NPR and ABC News correspondent Marton (Enemies of the People: My Family's Journey to America, 2009, etc.) mourns her husband, Richard Holbrooke, who died suddenly in 2010. She writes about “experiencing the fluctuating rhythms of loss…grief crashing against a sudden zeal for life,” as she remembers the times she and Holbrooke visited their favorite city. She reminisces about her first trip there as a student, at the age of 18, and her return a decade later as a foreign correspondent heading ABC's Bonn news bureau. Conducting a passionate though tortured relationship with news anchor Peter Jennings, she would rendezvous with him in Paris between covering events in European hotspots. Despite suffering from a traumatic separation from her parents (during their imprisonment by the Hungarian government), a painful divorce from Jennings and Holbrooke’s death, the author writes of the moments when she is “filled with joy” at her good fortune in having been loved. The highlights of her story include her time in Bonn, during which she interviewed spies in Berlin, traveled to a Palestinian refugee camp, and covered political kidnappings by terrorists, and her later experience hosting notables during Holbrooke's stint as U.N. ambassador.

On a first-name basis with the political movers and shakers on a global stage, Marton has observed world politics in the making and makes space for readers on her catbird seat.

Pub Date: Aug. 14, 2012

ISBN: 978-1-4516-9154-2

Page Count: 224

Publisher: Simon & Schuster

Review Posted Online: June 11, 2012

Kirkus Reviews Issue: July 1, 2012

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LET ME FINISH

Graceful and deeply felt.

A collection of personal pieces, combined into an affecting memoir by longtime New Yorker editor Angell.

The author, a noted baseball writer (A Pitcher’s Story, 2001, etc.), has many intimate connections to the magazine Gardner Botsford once dubbed “The Comic Weekly,” in which most of these reminiscences originally appeared. His mother, Katherine, was the New Yorker’s fiction editor; years later, Angell held her former job—and occupied her office. His stepfather, E.B. White, was the magazine’s most important contributor during its most influential years. The memoir mostly concerns New Yorker colleagues and other remarkable people who have been a part of the author’s life. His father, lawyer Ernest Angell, lost Katherine to the younger White but over the years became a figure of immense importance to Roger. Angell loved his mother, loved White, loved his first wife (not much here about the cause of their 1960s divorce), loved his coworkers, loved his job. His portraits are really tributes, whether of the well-known William Maxwell, V.S. Pritchett, Harold Ross or William Shawn, or the lesser-known Botsford and Emily Hahn. Angell offers some New Yorker–insider tidbits (Ian Frazier mimicked Shawn’s voice so well that he could fool colleagues over the phone) and a bit more than you want to know about some of his aunts, one of whom wrote a book about Willa Cather. A dazzling story-within-a-story describes a 1940 round of golf with a mysterious woman who lost a valuable ring. The author seems uncertain how an iPod works but reveals an expertise with machine guns. His fickle memory frustrates and bemuses him. Sometimes he can recall only sensory images; sometimes the story unreeling in his mind skips, stops, fades, dissolves into something else. In several of his most appealing passages, he writes about the fictions that memory fashions.

Graceful and deeply felt.

Pub Date: May 8, 2006

ISBN: 0-15-101350-0

Page Count: 304

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2006

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LETTER TO MY DAUGHTER

A slim volume packed with nourishing nuggets of wisdom.

Life lessons from the celebrated poet.

Angelou (A Song Flung Up to Heaven, 2002, etc.) doesn’t have a daughter, per se, but “thousands of daughters,” multitudes that she gathers here in a Whitmanesque embrace to deliver her experiences. They come in the shape of memories and poems, tools that readers can fashion to their needs. “Believing that life loves the liver of it, I have dared to try many things,” she writes, proceeding to recount pungent moments, stories in which her behavior sometimes backfired, and sometimes surprised even herself. Much of it is framed by the “struggle against a condition of surrender” or submission. She refuses to preach or consider her personal insights as generalized edicts. She is reminded of the charity that words and gestures bring and the liberation that comes with honesty. Lies, she notes, often spring out of fear. She cheated madness by counting her blessings. She is enlivened by those in love. She understands the uses and abuses of violence. Occasionally a bit of old-fashioned advice filters in, as during a commencement address/poem in which she urges the graduates to make a difference, to be present and accountable. The topics are mostly big, raw and exposed. Where is death’s sting? “It is here in my heart.” Overarching each brief chapter is the vital energy of a woman taking life’s measure with every step.

A slim volume packed with nourishing nuggets of wisdom.

Pub Date: Sept. 30, 2008

ISBN: 978-1-4000-6612-4

Page Count: 192

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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