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A PERFECT PROPOSAL

Uneven fare from the British Fforde, made forgivable by an appealing heroine.

Fforde’s latest is a rambling, bighearted novel in which a young Londoner becomes entangled with a wealthy American family.

Sophie is a lovely girl, if a bit too easily pushed around. Her family, a group of self-centered academics, thinks she’s comparatively dim and treats her as their very own Cinderella. Her friends can’t understand why her boyfriends are needy moochers. And Sophie herself would like something more than waiting tables. She has a plan: Save enough money to take a tailoring and business course and open her own shop. But first she must look after Evil Uncle Eric while his housekeeper is away (her family insists—Uncle Eric is loaded, and they are hoping for an inheritance), and then she is off to New York to temporarily nanny for a local family. Uncle Eric proves a doll, but the nannying job falls through, leaving Sophie in New York with her transplanted friend Milly to play out scenes from Sex and the City. At an art opening, Sophie rescues a society matron about to faint. Matilda Winchester, an English war bride, is charmed by Sophie, but her American grandson, Luke, is not. Matilda treats Sophie to a day out and invites her to Thanksgiving dinner at her Connecticut house, but Luke warns Sophie not to get too close—he’s on the lookout for hangers-on. Sophie is undeterred by his rudeness and spends a lovely final week in America at Matilda’s mansion before she heads back to waiting tables and, of course, doing that favor for Matilda. As a child, Matilda stayed in a house on the Cornish coast; the house holds her happiest memories, and she wants Sophie to find it for her. Then Luke ends up in London, and the inevitable romance begins. Thinly crafted plot devices tear them apart before the same reunite them. This is a shame, as Sophie is a charmer, and real relationship problems (their differences in class, wealth, values) would have created a far richer romance if there were real jeopardy to the happiness.

Uneven fare from the British Fforde, made forgivable by an appealing heroine.

Pub Date: April 9, 2013

ISBN: 978-1-250-02429-9

Page Count: 384

Publisher: St. Martin's

Review Posted Online: March 2, 2013

Kirkus Reviews Issue: March 15, 2013

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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