Porter is a remarkable woman, but she undercuts her important accomplishments in the way she tells her story.
Debut memoir from the whiteboard-wielding U.S. representative.
Since her election to the House of Representatives in 2018, Porter has established a reputation as a no-nonsense single mother fighting on behalf of everyday people. As an Iowa native who spent her early childhood on the family farm, Porter comes by her Everywoman persona honestly. Later, she graduated from Phillips Academy, Yale, and Harvard Law School, and she counts Elena Kagan, Elizabeth Warren, and Kamala Harris among her mentors. Had Hillary Clinton won the presidency in 2020, Porter would have been on her transition team. Although the author never planned to run for office, she’s not exactly a political outsider. Maybe it’s the tension between these very different aspects of her story that makes her come across as defensive. Eschewing a chronological narrative, Porter offers a series of essays that don’t fully cohere thematically or stylistically. There are autobiographical vignettes; detailed—possibly too detailed—descriptions of her work as an academic specializing in bankruptcy law; and numerous diatribes. Some chapters are terrific. Her fiery explanation of how difficult it is to serve in Congress unless you’re independently wealthy should make us all angry, and her account of the role domestic violence has played in her life is affecting. Her description of the senior project she completed at Yale—about a dying Iowa city being “revitalized” by big agriculture—serves as a sort of intellectual and political origin story. The author seldom misses an opportunity to take a swipe at someone—her staffers and House colleagues get especially rough treatment—and the chief takeaway from her brief account of the Jan. 6 insurrection is that while she was largely unfazed, Alexandria Ocasio-Cortez was distraught, hoping that the MAGA hordes wouldn’t recognize her. The only person who emerges from these pages looking good is Sen. Warren, someone for whom Porter has genuine respect and affection.
Porter is a remarkable woman, but she undercuts her important accomplishments in the way she tells her story.Pub Date: April 11, 2023
ISBN: 9780593443989
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 28, 2023
Kirkus Reviews Issue: April 1, 2023
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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