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ALL WE KNOW OF LOVE

Could possibly appeal to college-age travelers to Europe, but more demanding readers will understandably say no.

An awkward if impassioned coming-of-age story set in the Pacific Northwest, Italy, and New York City, and involving art and spirituality.

Jo Shepherd’s terminally ill grandfather Frank wants her to attend college in her home state of Washington. But shortly before Frank dies, the Virgin Mary appears and urges Jo to follow her dream of going to Italy to become an artist, a plan that necessitates not only dishonoring Frank’s wishes but also abandoning a childhood sweetheart named Jack. In Florence, these and other past issues emerge, as do new visions triggered by encounters with statues, frescoes, and two young American expatriates who vie, it seems, for Jo’s affections: Chad, a soulful cellist who plays on the street but really studies politics, and Walter, a worldly cynic adrift in Europe. Walter champions Jo’s art and bankrolls her studio—into which she sneaks Chad—while her portraits of saints reveal equally her torment and ecstasies. Unannounced, Jack shows up around New Year’s and things begin to unravel. Chad reveals himself to be something less than a knight in shining armor, and Walter more than a disinterested friend. Jo’s final artistic apprenticeship takes place in the crucible of New York City’s Lower East Side, where the young artist finds her fullest vocabulary and a prestigious gallery. She leaves for Washington to face unfinished romantic business with Jack and to avoid the imminent enormous success of her show. Jo is full of purpose and can be engaging, but her tale suffers from an artificiality in its expository shortcuts—those visions and frescoes, for example—from flatness of scene, and from a fractured chronology that intrudes more than illuminates.

Could possibly appeal to college-age travelers to Europe, but more demanding readers will understandably say no.

Pub Date: July 11, 2000

ISBN: 0-7679-0408-7

Page Count: 288

Publisher: Broadway

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2000

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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