Could possibly appeal to college-age travelers to Europe, but more demanding readers will understandably say no.

ALL WE KNOW OF LOVE

An awkward if impassioned coming-of-age story set in the Pacific Northwest, Italy, and New York City, and involving art and spirituality.

Jo Shepherd’s terminally ill grandfather Frank wants her to attend college in her home state of Washington. But shortly before Frank dies, the Virgin Mary appears and urges Jo to follow her dream of going to Italy to become an artist, a plan that necessitates not only dishonoring Frank’s wishes but also abandoning a childhood sweetheart named Jack. In Florence, these and other past issues emerge, as do new visions triggered by encounters with statues, frescoes, and two young American expatriates who vie, it seems, for Jo’s affections: Chad, a soulful cellist who plays on the street but really studies politics, and Walter, a worldly cynic adrift in Europe. Walter champions Jo’s art and bankrolls her studio—into which she sneaks Chad—while her portraits of saints reveal equally her torment and ecstasies. Unannounced, Jack shows up around New Year’s and things begin to unravel. Chad reveals himself to be something less than a knight in shining armor, and Walter more than a disinterested friend. Jo’s final artistic apprenticeship takes place in the crucible of New York City’s Lower East Side, where the young artist finds her fullest vocabulary and a prestigious gallery. She leaves for Washington to face unfinished romantic business with Jack and to avoid the imminent enormous success of her show. Jo is full of purpose and can be engaging, but her tale suffers from an artificiality in its expository shortcuts—those visions and frescoes, for example—from flatness of scene, and from a fractured chronology that intrudes more than illuminates.

Could possibly appeal to college-age travelers to Europe, but more demanding readers will understandably say no.

Pub Date: July 11, 2000

ISBN: 0-7679-0408-7

Page Count: 288

Publisher: Broadway

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 15, 2000

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Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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A clever, romantic, sexy love story.

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RED, WHITE & ROYAL BLUE

The much-loved royal romance genre gets a fun and refreshing update in McQuiston’s debut.

Alex Claremont-Diaz, son of the American President Ellen Claremont, knows one thing for sure: He hates Henry, the British prince to whom he is always compared. He lives for their verbal sparring matches, but when one of their fights at a royal wedding goes a bit too far, they end up falling into a wedding cake and making tabloid headlines. An international scandal could ruin Alex’s mother’s chances for re-election, so it’s time for damage control. The plan? Alex and Henry must pretend to be best friends, giving the tabloids pictures of their bromance and neutralizing the threat to Ellen's presidency. But after a few photo ops with Henry, Alex starts to realize that the passionate anger he feels toward him might be a cover for regular old passion. There are, naturally, a million roadblocks between their first kiss and their happily-ever-after—how can American political royalty and actual British royalty ever be together? How can they navigate being open about their sexualities (Alex is bisexual; Henry is gay) in their very public and very scrutinized roles? Alex and Henry must decide if they’ll risk their futures, their families, and their careers to take a chance on happiness. Although the story’s premise might be a fantasy—it takes place in a world in which a divorced-mom Texan Democrat won the 2016 election—the emotions are all real. The love affair between Alex and Henry is intense and romantic, made all the more so by the inclusion of their poetic emails that manage to be both funny and steamy. McQuiston’s strength is in dialogue; her characters speak in hilarious rapid-fire bursts with plenty of “likes,” “ums,” creative punctuation, and pop-culture references, sounding like smarter, funnier versions of real people. Although Alex and Henry’s relationship is the heart of the story, their friends and family members are all rich, well-drawn characters, and their respective worlds feel both realistic and larger-than-life.

A clever, romantic, sexy love story.

Pub Date: June 4, 2019

ISBN: 978-1-250-31677-6

Page Count: 432

Publisher: St. Martin's Griffin

Review Posted Online: March 4, 2019

Kirkus Reviews Issue: March 15, 2019

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