With its clever, compelling vision of the future, deeply human characters, and delightfully unpredictable story, this novel...

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TELL THE MACHINE GOODNIGHT

In her first book for adults, Williams imagines a not-too-distant future in which people find happiness with the help of machines.

It's 2035, and for the last nine years Pearl has worked as a technician for the Apricity Corporation, a San Francisco company that's devised a machine that, using skin cells collected from the inside of a subject’s cheek, provides “contentment plans” for those seeking happiness. (The firm’s name means the feeling of warmth on one’s skin from the sun.) The machine’s prescriptions veer sharply from the benign to the bewildering, telling one of Pearl’s clients to “eat tangerines on a regular basis,” “work at a desk that receive[s] more morning light,” and “amputate the uppermost section of his right index finger.” “The recommendations can seem strange at first…but we must keep in mind the Apricity machine uses a sophisticated metric, taking into account factors of which we’re not consciously aware,” Pearl reassures the client contemplating going under the knife, in a speech she has memorized from the company manual. “The proof is borne out in the numbers. The Apricity system boasts a nearly one hundred percent approval rating. Ninety-nine point nine seven percent.” Never mind the .03 percent the company considers “aberrations.” Pearl herself appears to be a generally happy person despite the current circumstances of her life. Her husband, Elliot, an artist, has left her for a younger, pink-haired woman, Val, who has her own secrets—yet Elliot persists in flirting with Pearl. Her teenage son, Rhett, has stopped eating, perversely finding contentment in dissatisfaction and self-denial. Pearl’s own contentment plan, which includes painstakingly building elaborate creatures from 3-D modeling kits, keeps her on a steady keel even as she yearns to rescue her son from his unhappy state. Following the trajectory of today’s preoccupation with self-help and our perhaps not-entirely-justified faith that technology can fix everything, Williams explores the way machines and screens can both disconnect us, launching us into loneliness, and connect us, bringing us closer to one another. In this imaginative, engaging, emotionally resonant story, she reveals how the devices we depend on can both deprive us of our humanity and deliver us back to it.

With its clever, compelling vision of the future, deeply human characters, and delightfully unpredictable story, this novel is itself a recipe for contentment.

Pub Date: June 19, 2018

ISBN: 978-0-525-53312-2

Page Count: 304

Publisher: Riverhead

Review Posted Online: April 16, 2018

Kirkus Reviews Issue: May 1, 2018

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Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

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MAYBE SOMEDAY

Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 7, 2014

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Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

ALL YOUR PERFECTS

Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.

Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

Pub Date: July 17, 2018

ISBN: 978-1-5011-7159-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 1, 2018

Kirkus Reviews Issue: May 15, 2018

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