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TELL THE MACHINE GOODNIGHT

With its clever, compelling vision of the future, deeply human characters, and delightfully unpredictable story, this novel...

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In her first book for adults, Williams imagines a not-too-distant future in which people find happiness with the help of machines.

It's 2035, and for the last nine years Pearl has worked as a technician for the Apricity Corporation, a San Francisco company that's devised a machine that, using skin cells collected from the inside of a subject’s cheek, provides “contentment plans” for those seeking happiness. (The firm’s name means the feeling of warmth on one’s skin from the sun.) The machine’s prescriptions veer sharply from the benign to the bewildering, telling one of Pearl’s clients to “eat tangerines on a regular basis,” “work at a desk that receive[s] more morning light,” and “amputate the uppermost section of his right index finger.” “The recommendations can seem strange at first…but we must keep in mind the Apricity machine uses a sophisticated metric, taking into account factors of which we’re not consciously aware,” Pearl reassures the client contemplating going under the knife, in a speech she has memorized from the company manual. “The proof is borne out in the numbers. The Apricity system boasts a nearly one hundred percent approval rating. Ninety-nine point nine seven percent.” Never mind the .03 percent the company considers “aberrations.” Pearl herself appears to be a generally happy person despite the current circumstances of her life. Her husband, Elliot, an artist, has left her for a younger, pink-haired woman, Val, who has her own secrets—yet Elliot persists in flirting with Pearl. Her teenage son, Rhett, has stopped eating, perversely finding contentment in dissatisfaction and self-denial. Pearl’s own contentment plan, which includes painstakingly building elaborate creatures from 3-D modeling kits, keeps her on a steady keel even as she yearns to rescue her son from his unhappy state. Following the trajectory of today’s preoccupation with self-help and our perhaps not-entirely-justified faith that technology can fix everything, Williams explores the way machines and screens can both disconnect us, launching us into loneliness, and connect us, bringing us closer to one another. In this imaginative, engaging, emotionally resonant story, she reveals how the devices we depend on can both deprive us of our humanity and deliver us back to it.

With its clever, compelling vision of the future, deeply human characters, and delightfully unpredictable story, this novel is itself a recipe for contentment.

Pub Date: June 19, 2018

ISBN: 978-0-525-53312-2

Page Count: 304

Publisher: Riverhead

Review Posted Online: April 15, 2018

Kirkus Reviews Issue: May 1, 2018

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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  • New York Times Bestseller

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THE GREAT ALONE

A tour de force.

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In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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