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IT'S ALL ABOUT PERSPECTIVE

A vivid but meandering guide that tackles several serious subjects.

In this debut self-help book, a writer offers personal anecdotes about self-discovery.

“Some refer to me as a teacher, others call me a shaman, Reiki Master, psychic, seer, empath, energy worker, or healer,” writes McVeigh. But she sees herself as “just Katy,” a woman who has overcome horrendous adversity by changing the way she looks at life. When she was 11 years old, she was raped. But by forgiving her rapist (without excusing his horrendous deed), she managed to free herself from years of mental torture. In this short, easy-to-read guide, the author cobbles together several anecdotes from her life that taught her lessons—for example, after uncovering a suppressed memory, she realized why her mother was emotionally distant. Skimming several weighty topics—such as dream analysis, death, reincarnation, hypnosis, astral projection, and past life regression—the manual cites few sources. McVeigh’s proof relies mostly on her own opinions and life experiences, giving the book a journallike tone. For example, her beginning chapter on dream analysis is inspired by a class she took in college. During hypnosis, she discovered she had committed suicide in a previous life, and this revelation helped her in her present existence. Some of her anecdotes feel like scenes from The X-Files. McVeigh claims to have had an out-of-body experience in which she reached inside her sister’s back and pulled out handfuls of disease or “thick black-tarry-guck.” That’s not the only time the author relates extraordinary events. During a seminar, a beautiful woman wiped “Indian tears” from the author’s face. McVeigh found out that she was a young Native American seer in a past life. Readers who are into subjects like psychic healing or cosmic consciousness will discover a kindred spirit here, especially if they enjoy fanciful life stories. But nonbelievers won’t find the work convincing.

A vivid but meandering guide that tackles several serious subjects.

Pub Date: Oct. 11, 2019

ISBN: 978-1-982236-32-8

Page Count: 108

Publisher: BalboaPress

Review Posted Online: April 23, 2020

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POEMS & PRAYERS

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”

McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

Pub Date: Sept. 16, 2025

ISBN: 9781984862105

Page Count: 208

Publisher: Crown

Review Posted Online: Aug. 15, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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GREENLIGHTS

A conversational, pleasurable look into McConaughey’s life and thought.

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All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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