A thoughtful account of covering what the author rightly calls “the most unlikely, exciting, ugly, trying, and all-around...
One of Donald Trump’s favorite media targets tells how she attained that distinction in this spry look at the 2016 campaign.
NBC News correspondent Tur covered the presidential campaign from the very start, with Trump in her sights for more than 500 grueling days. At the beginning, she writes, she informed the disbelieving hosts of Today that, even after Trump’s opening remark that “when Mexico sends its people, they’re not sending their best,” he was polling strongly in bellwether New Hampshire. “Trump wasn’t part of anyone’s plan,” she writes, adding, “for that matter, neither was I.” However, Trump managed to tap into a deep well of resentment and anger among disaffected voters who were content to trade in old notions of truth and decency for Trump’s wild ride. Trump’s own encounters with Tur were just as resentful and angry: he complained that she wouldn’t look at him and was distorting words she was quoting verbatim, and she had a special knack for upsetting him. “His rage didn’t register in the moment,” she writes in a post-mortem of an early encounter. “I thought it was all part of his shtick. The reality show star. But watching his face on-screen, it’s clear Trump isn’t playing.” Still, praise came from the author’s colleagues, and even, on occasion, from Trump himself, who grudgingly allowed that Tur was better than most reporters. In Tennessee, “he tried to introduce me to a crowd…a hand on my shoulder like I was his wife.” Trump’s anger, page after page of it, is discomfiting, and Tur’s reactions to it seem to verge on symptoms of PTSD. Even so, her own back-of-the-envelope analyses are borne out by subsequent events, as when she writes, “Trump is crude, and in his halo of crudeness other people get to be crude as well.”
A thoughtful account of covering what the author rightly calls “the most unlikely, exciting, ugly, trying, and all-around bizarre campaign in American history.”Pub Date: Sept. 12, 2017
ISBN: 978-0-06-268492-9
Page Count: 304
Publisher: Dey Street/HarperCollins
Review Posted Online: Sept. 12, 2017
BOOK REVIEW
SEEN & HEARD
Highly recommended, even for those who have already read the excerpts in the New Yorker. Fey is one of the funniest people...
One of the world’s cleverest comedy writers debuts with a frequently hilarious memoir.
Perhaps best known to mass audiences for her writing and performances on Saturday Night Live, Fey’s most inventive work is likely her writing for the critically acclaimed TV show 30 Rock, in which she stars alongside Alec Baldwin and fellow SNL alum Tracy Morgan. In typical self-deprecating style, the author traces her awkward childhood and adolescence, rise within the improv ranks of Second City and career on the sets of SNL and 30 Rock. The chapter titles—e.g., “The Windy City, Full of Meat,” “Peeing in Jars with Boys” and “There’s a Drunk Midget in My House”—provide hints at the author’s tone, but Fey is such a fluid writer, with her impeccable sense of comic timing extending to the printed page, that near-constant jokes and frequent sidebars won’t keep readers from breezing through the book with little trouble, laughing most of the way. Though she rarely breaks the onslaught of jokes (most at her own expense), she does offer an insightful section on the exhaustively analyzed concept of the “working mom,” which she finds tedious. (Even here, the author finds plenty of room for humor—not wanting to admit she uses a nanny, Fey writes, “I will henceforth refer to our nanny as our Coordinator of Toddlery.”) Fey may not sling a lot of dirt about her many famous co-stars in Second City, SNL and 30 Rock, but her thoughts on her geeky adolescence, the joys of motherhood and her rise to TV stardom are spot-on and nearly always elicit a hearty laugh. Even the jacket copy is amusing: “Once in a generation a woman comes along who changes everything. Tina Fey is not that woman, but she met that woman once and acted weird around her.”
Highly recommended, even for those who have already read the excerpts in the New Yorker. Fey is one of the funniest people working today.Pub Date: April 5, 2011
ISBN: 978-0-316-05686-1
Page Count: 288
Publisher: Reagan Arthur/Little, Brown
Review Posted Online: July 23, 2011
Demonstrates how very thin is the gilt on the Golden State.
With humor, history, nostalgia, and acerbity, Didion (Political Fictions, 2001, etc.) considers the conundrums of California, her beloved home state.
Pieces of this remarkable memoir have appeared in the writer’s usual venues (e.g., the New York Review of Books), but she has crafted the connections among them so artfully that the work acquires a surprising cumulative power. Didion tells a number of stories that would not in lesser hands appear to be related: the arrival in California of her pioneer ancestors, the nasty 1993 episode involving randy adolescents who called themselves the “Spur Posse,” the fall of the aerospace industry in the 1990s, her 1948 eighth-grade graduation speech (“Our California Heritage”), the history of the state, and the death of her parents. Along the way she deals with some California novels from earlier days, Jack London’s The Valley of the Moon and Frank Norris’s The Octopus, and explores the community histories of Hollister, Irvine, and Lakewood (home of the Posse). She sees fundamental contradictions in the California dream. For one, older generations resented the arrival of the “newcomers,” who in their minds were spoiling the view. But as Didion points out, the old-timers had once done the same. More profound is her recognition that Californians, many of whom embrace the ideal of rugged individualism and reject “government interference,” nonetheless have accepted from the feds sums of money vast enough to mesmerize Midas. Water-management programs have been especially costly, but tax breaks for all sorts of other industries and enterprises have greatly enriched some in the state (railroad magnates, housing developers, defense contractors) while most everyone else battles for scraps beneath the table. Most affecting are her horrifying portrait of Lakewood as a community devoted to high-school sports at the expense of scholarship and her wrenching accounts of the deaths of her father and mother.
Demonstrates how very thin is the gilt on the Golden State.Pub Date: Sept. 29, 2003
ISBN: 0-679-43332-5
Page Count: 240
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2003
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