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CONVERSATIONS WITH AMERICAN NOVELISTS

Fifteen interviews of both literary and commercial novelists, recorded over the past two decades by Bonetti for the American Audio Prose Library and all originally published in the Missouri Review. As the editors point out in their introduction, these writers are ``chronologically postmodern.'' True, but few of the novelists, who include Tom McGuane, Jim Harrison, John Edgar Wideman, Rosellen Brown, Scott Turow, Robb Forman Dew, and Jessica Hagedorn, would seem to fit the self-conscious, often playful, ``metafictional'' postmodern vein of writers like John Barth, William Gaddis, or Thomas Pynchon. The interviews are more about ideas, publishing histories, and reputations than about craft. Robert Stone, interviewed in 1982, says those who interpret the underlying message in his writing as ``Despair and die'' are mistaken. He cites Dickens as a role model for his ability to entertain himself and his readers with plot. His favorite novel? The Great Gatsby. Jamaica Kincaid (1991) desribes writing New Yorker ``Talk of the Town'' pieces as excellent preparation for fiction writing. What's missing largely from these interviews are technical discussions of the mechanics of writing dialogue and fleshing out characters, and of working methods (who uses a journal, who writes longhand or by typewriter or computer), the ecstasy and grind of composition. But these lacks don't detract from the information we are given. One of the best pieces is the talk with Louise Erdrich and the late Michael Dorris, conducted in 1986. The husband-and-wife team discuss the general strategy of their unusual collaborationist writing approach—they plot their novels together, but one or the other does the first draft; that person's name then goes on the finished product, such as Love Medicine (hers) and A Yellow Raft in Blue Water (his). Like a selection of one-act plays, these conversations offer illuminating if limited glimpses of contemporary writing careers.

Pub Date: Dec. 1, 1997

ISBN: 0-8262-1136-4

Page Count: 264

Publisher: Univ. of Missouri

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1997

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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