A low-key, offbeat, and winsome story of hurts healed.
A group of disparate characters reconstruct a formal garden and find unexpected connections in Spencer’s debut novel.
Katy Bodden has returned to Mississippi to live in a house bequeathed to her by the late George Trotter, her grandparents’ gardener. There, she has a new employee—a gardener named Daniel. Katy spends her days painting images of trees and flowers in her attic studio. Her habit of cutting herself suggests that she’s suffering from the effects of a childhood trauma, traces of which come through in italicized passages. One day, Daniel and Katy see a red plane flying overhead. The pilot, Martin Rainer, is the new caretaker of the local airstrip, and his deliveries make him a regular visitor at Katy’s. When Martin helps Daniel prune an overgrown hedge, they discover a hidden meadow, and Katy emerges from her numbness to launch into a new project—re-establishing George’s garden. In the meantime, she and Martin fall in love. The book has some beautiful descriptive passages (“the sawing trill of cicadas…the breeze that moved languidly into the attic windows”), and Spencer uses flashbacks and recurring items—a lizard cage, newspapers—to create a gentle sense of mystery. The objects, in particular, cleverly ground the book in the physical world as Katy’s isolation (and her belief in George’s ghostly presence) make early chapters feel dreamlike and slightly disorienting. The central characters struggle with major issues: Katy was in foster homes after her mother’s death; Daniel was a journalist in war-torn Afghanistan and has an estranged son; and Martin has a prosthetic leg due to a plane crash that killed his parents and brother. However, through a combination of chance and design, they start to experience emotional restoration, stemming from an event 22 years ago. The links between the characters will require readers to suspend their disbelief, and Spencer sometimes overloads her story with significance, as in the final paragraph, which takes on a cosmic scope. Readers will forgive these relative minor flaws, however, as they’re embedded in appealingly smooth and literary prose.
A low-key, offbeat, and winsome story of hurts healed.Pub Date: Oct. 29, 2018
ISBN: N/A
Page Count: 417
Publisher: Kurti Publishing
Review Posted Online: Oct. 30, 2018
Kirkus Reviews Issue: Dec. 1, 2018
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
