by Kaya Oakes ‧ RELEASE DATE: July 10, 2012
A somewhat intriguing but mostly uneasy faith journey.
Oakes (Writing/Univ. of California; Slanted and Enchanted: The Evolution of Indie Culture, 2009) chronicles her uneasy entry back into the Catholic Church, with plenty of F-bombs thrown in for good effect.
Proud of her bad-girl persona (perhaps more past than present) and of her liberal political activism, the author tries to convince both her readers and herself why she wanted to be a Catholic again. The result is readable and engaging but not necessarily convincing. Oakes grew up in a moderately Catholic family before rebelling. However, she could not rid herself of a belief in God, and eventually she was moved to try out church again. Unfulfilled with Protestant options, she went back to what she knew. At the beginning of her spiritual journey, she was uncomfortable with her choice: “I don’t want people to know I’m Catholic again because it still seems so oppositional to the rest of my life.” Indeed, Oakes’ main draw to Catholicism seems to be the challenge and the opportunity to be an agitator from within. She expresses feeling a lack of community until her searching led her to sympathetic priests, feminist nuns and activist laywomen. She found her place in Catholicism in such backdrops as a “pray-and-bitch” circle of women and a predominantly gay congregation. The author concludes with the story of her visit to Italy, where she found some moments of genuine religious feeling at places such as the tomb of St. Francis. Oakes’ writing flows well, but it sometimes feels almost lazy (e.g., describing Juan Diego, who encountered the Virgin of Guadalupe, as “the indigenous guy”) or overly caustic for the sake of her own self-image as a rebel. The author’s low self-esteem and the weight of her past drag her down throughout the book and are not alleviated by her spiritual quest, which seems, in the end, more a quest for community.
A somewhat intriguing but mostly uneasy faith journey.Pub Date: July 10, 2012
ISBN: 978-1-59376-431-9
Page Count: 256
Publisher: Counterpoint
Review Posted Online: April 29, 2012
Kirkus Reviews Issue: May 15, 2012
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by Kaya Oakes
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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PERSPECTIVES
by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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