by Kaya Oakes ‧ RELEASE DATE: July 10, 2012
A somewhat intriguing but mostly uneasy faith journey.
Oakes (Writing/Univ. of California; Slanted and Enchanted: The Evolution of Indie Culture, 2009) chronicles her uneasy entry back into the Catholic Church, with plenty of F-bombs thrown in for good effect.
Proud of her bad-girl persona (perhaps more past than present) and of her liberal political activism, the author tries to convince both her readers and herself why she wanted to be a Catholic again. The result is readable and engaging but not necessarily convincing. Oakes grew up in a moderately Catholic family before rebelling. However, she could not rid herself of a belief in God, and eventually she was moved to try out church again. Unfulfilled with Protestant options, she went back to what she knew. At the beginning of her spiritual journey, she was uncomfortable with her choice: “I don’t want people to know I’m Catholic again because it still seems so oppositional to the rest of my life.” Indeed, Oakes’ main draw to Catholicism seems to be the challenge and the opportunity to be an agitator from within. She expresses feeling a lack of community until her searching led her to sympathetic priests, feminist nuns and activist laywomen. She found her place in Catholicism in such backdrops as a “pray-and-bitch” circle of women and a predominantly gay congregation. The author concludes with the story of her visit to Italy, where she found some moments of genuine religious feeling at places such as the tomb of St. Francis. Oakes’ writing flows well, but it sometimes feels almost lazy (e.g., describing Juan Diego, who encountered the Virgin of Guadalupe, as “the indigenous guy”) or overly caustic for the sake of her own self-image as a rebel. The author’s low self-esteem and the weight of her past drag her down throughout the book and are not alleviated by her spiritual quest, which seems, in the end, more a quest for community.
A somewhat intriguing but mostly uneasy faith journey.Pub Date: July 10, 2012
ISBN: 978-1-59376-431-9
Page Count: 256
Publisher: Counterpoint
Review Posted Online: April 29, 2012
Kirkus Reviews Issue: May 15, 2012
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by Kaya Oakes
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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