Empathetic but never sentimental; a book that creeps up on you and then swallows you whole.
Unexpected and nuanced and pulsing with life, Whitaker’s debut cuts straight to the heart of the creative process.
From the minute Sharon Kisses meets Mel Vaught, the women are inseparable. Both are visual art majors with obvious talent. Both are from the rural south (Sharon: East Kentucky, Mel: Central Florida), united by their shared “white trashiness” (Mel’s words)—a rarity at their posh East Coast liberal arts college. And both have a passion, an unquenchable thirst, for comics. “I’m gonna be a cartoonist,” Mel says, the first night they hang out. “Animate. What else is there?” By graduation, they are not just best friends, but also artistic partners. Ten years later, they’re living and working together, still in a “piece-of-crap” studio in Brooklyn. They make “small, thoughtful cartoons and out-of-mainstream animation shorts for a thinking woman’s audience,” according to critics. Their first full-length feature, an autobiographical project based on Mel’s childhood, wins them an ultraprestigious grant. They are a perfectly mismatched pair: Sharon is curvy, consistent, and perpetually lovelorn; Mel is thin and gay, the life of the party. But transforming their private pasts into public art comes at a cost, and as the novel progresses and both women are struck by different kinds of tragedies, Sharon and Mel are forced to come to terms with their families, themselves, and the painful limitations of their bond. Sweeping and intimate at once, the novel is an exquisite portrait of a life-defining partnership. Whitaker captures the shifting dynamics between Mel and Sharon—between all the characters, really—with such precision and sharpness that it’s hard to let them go.
Empathetic but never sentimental; a book that creeps up on you and then swallows you whole.Pub Date: Jan. 31, 2017
ISBN: 978-0-8129-8928-1
Page Count: 384
Publisher: Random House
Review Posted Online: Sept. 16, 2016
Kirkus Reviews Issue: Oct. 1, 2016
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
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