edited by Kaylen Ralph and Joanna Demkiewicz ‧ RELEASE DATE: Oct. 21, 2019
A well-selected anthology of potent stories by formidable women writers.
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Two former journalism school classmates offer a vibrant array of long-form writings by women in this collection.
In an editor’s note, Teen Vogue columnist Ralph and Demkiewicz, the marketing director of small press Milkweed Editions, trace their book’s origin to a 2012 panel that they attended at the Missouri School of Journalism. The panel was part of a two-day seminar celebrating the release of a different long-form anthology. The six panelists were male, and 16 of the 19 anthologized stories had been written by men. The student audience was mostly made up of women, and the editors note that “bitter whispers ran through the crowd.” This anthology—the third in a series—offers a satisfying rejoinder to that panel’s focus on men. The editors preface each piece with a bio and short introduction by the writer, in which she provides thoughts on the writing process, her career, and her story topic. These riveting introductions grant brief but intriguing glimpses of how Rachel Aviv’s editor talked her through moments of doubt, for example, or how Nikole Hannah-Jones reconciled her personal and professional views on a thorny topic. The subjects range widely and include school segregation, Jerry Lewis, the vaping industry, hate crimes, the Islamic State group, and campus sexual assault. A few stories stand out: Aviv’s terrifying piece on Nevada’s flawed system of guardians for the elderly from the New Yorker and Taffy Brodesser-Akner’s hilarious, detailed profile of Gwyneth Paltrow and her lifestyle brand, Goop, from the New York Times Magazine. The most recent stories were published in 2018, and the oldest, Sara Corbett’s profile of skateboarder Cara-Beth Burnside, in 2000. Only the latter piece feels a bit dated now, with its references to a “super-caffeinated Red Bull soda” and “Skateboard Shannen, a new remote-control toy from Mattel.”
A well-selected anthology of potent stories by formidable women writers.Pub Date: Oct. 21, 2019
ISBN: 978-0-9996338-8-5
Page Count: 385
Publisher: The Sager Group LLC
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Oct. 1, 2019
Review Program: Kirkus Indie
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by Marc Brackett ‧ RELEASE DATE: Sept. 3, 2019
An intriguing approach to identifying and relating to one’s emotions.
An analysis of our emotions and the skills required to understand them.
We all have emotions, but how many of us have the vocabulary to accurately describe our experiences or to understand how our emotions affect the way we act? In this guide to help readers with their emotions, Brackett, the founding director of Yale University’s Center for Emotional Intelligence, presents a five-step method he calls R.U.L.E.R.: We need to recognize our emotions, understand what has caused them, be able to label them with precise terms and descriptions, know how to safely and effectively express them, and be able to regulate them in productive ways. The author walks readers through each step and provides an intriguing tool to use to help identify a specific emotion. Brackett introduces a four-square grid called a Mood Meter, which allows one to define where an emotion falls based on pleasantness and energy. He also uses four colors for each quadrant: yellow for high pleasantness and high energy, red for low pleasantness and high energy, green for high pleasantness and low energy, and blue for low pleasantness and low energy. The idea is to identify where an emotion lies in this grid in order to put the R.U.L.E.R. method to good use. The author’s research is wide-ranging, and his interweaving of his personal story with the data helps make the book less academic and more accessible to general readers. It’s particularly useful for parents and teachers who want to help children learn to handle difficult emotions so that they can thrive rather than be overwhelmed by them. The author’s system will also find use in the workplace. “Emotions are the most powerful force inside the workplace—as they are in every human endeavor,” writes Brackett. “They influence everything from leadership effectiveness to building and maintaining complex relationships, from innovation to customer relations.”
An intriguing approach to identifying and relating to one’s emotions.Pub Date: Sept. 3, 2019
ISBN: 978-1-250-21284-9
Page Count: 320
Publisher: Celadon Books
Review Posted Online: June 22, 2019
Kirkus Reviews Issue: July 15, 2019
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by Oliver Sacks ‧ RELEASE DATE: Nov. 24, 2015
If that promise of clarity is what awaits us all, then death doesn’t seem so awful, and that is a great gift from Sacks. A...
Valediction from the late neurologist and writer Sacks (On the Move: A Life, 2015, etc.).
In this set of four short essays, much-forwarded opinion pieces from the New York Times, the author ponders illness, specifically the metastatic cancer that spread from eye to liver and in doing so foreclosed any possibility of treatment. His brief reflections on that unfortunate development give way to, yes, gratitude as he examines the good things that he has experienced over what, in the end, turned out to be a rather long life after all, lasting 82 years. To be sure, Sacks has regrets about leaving the world, not least of them not being around to see “a thousand…breakthroughs in the physical and biological sciences,” as well as the night sky sprinkled with stars and the yellow legal pads on which he worked sprinkled with words. Sacks works a few familiar tropes and elaborates others. Charmingly, he reflects on his habit since childhood of associating each year of his life with the element of corresponding atomic weight on the periodic table; given polonium’s “intense, murderous radioactivity,” then perhaps 84 isn’t all that it’s cut out to be. There are some glaring repetitions here, unfortunate given the intense brevity of this book, such as his twice citing Nathaniel Hawthorne’s call to revel in “intercourse with the world”—no, not that kind. Yet his thoughts overall—while not as soul-stirringly inspirational as the similar reflections of Randy Pausch or as bent on chasing down the story as Christopher Hitchens’ last book—are shaped into an austere beauty, as when Sacks writes of being able in his final moments to “see my life as from a great altitude, as a sort of landscape, and with a deepening sense of the connection of all its parts.”
If that promise of clarity is what awaits us all, then death doesn’t seem so awful, and that is a great gift from Sacks. A fitting, lovely farewell.Pub Date: Nov. 24, 2015
ISBN: 978-0-451-49293-7
Page Count: 64
Publisher: Knopf
Review Posted Online: Oct. 31, 2015
Kirkus Reviews Issue: Nov. 15, 2015
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