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THE HALF-CLASS

An ambitious and immersive fantasy tale.

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A young undercover rebel gets too close to the enemy in debut author Lewis’ first YA fantasy novel in a series.

The city of Bexbury has a rigid hierarchy, based on skin color, in which the “light class” has the most power and the “dark class,” the least. But there’s a group of people who are ostracized for their very existence: the “half-classes,” whose parentage is a mix of people from the dark and light classes. They include Evie, who lives with her brothel-owning aunt. In a couple of months she’ll be 18, and she’s expected to follow her cousin Kat into the family sex-work business—one of the few career paths open to half-classes. At night, however, she participates in an underground resistance movement that does such things as destroy government documents to chip away at the oppressive social order. Their rebellious acts capture the attention of leader King Dreux, who travels from the nation’s capital to Bexbury to quash the unrest. He brings along his son, Prince Cassian, whom Evie befriends one night at the brothel before she realizes who he is. Her connection provides a perfect way for the rebels to get close to the king, but as she develops real feelings for the prince, things become unexpectedly complicated. Lewis’ prose is rich and urgent, as when Evie comes across a victim of some of her fellow rebels in a public fountain: “Layers of red pooled down from the top tier into the second, then into the large pool below. Something hung limply over the cornice. Something big and lumpy. Something dark green. A body.” Readers will note many clear connections to real-world racism, particularly toward the beginning of the novel. However, Lewis has built a complex world in these pages, and as the plot unfolds, the novel feels less explicitly allegorical, with nuances and particularities all its own. Although much of the story is set in a brothel, it mostly keeps sex at a distance. However, the author does delve into the difficult relationships that can exist in a racially stratified society and how societal lines can become blurred.

An ambitious and immersive fantasy tale.

Pub Date: Aug. 24, 2021

ISBN: N/A

Page Count: -

Publisher: Manuscript

Review Posted Online: June 16, 2021

Kirkus Reviews Issue: Aug. 1, 2021

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is building a complex mythology; now is a great time to tune in.

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Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 25, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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CARAVAL

From the Caraval series , Vol. 1

Immersive and engaging, despite some flaws, and destined to capture imaginations.

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Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.

Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.

Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)

Pub Date: Jan. 31, 2017

ISBN: 978-1-250-09525-1

Page Count: 416

Publisher: Flatiron Books

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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