An expression of our dark inner demons that is both hilarious and cathartic.
Not all unicorns are full of sunshine, magic, and smiles; some are surly, sarcastic, and hostile.
Stabby, a stout, churlish, teal-colored unicorn, stars in this collection of stand-alone cartoons, paneled strips, reimagined tarot cards, and funny re-imaginings of iconic images, such as Vermeer’s Girl With a Pearl Earring featuring Stabby with a bloody horn and an eye dangling from his ear. Starting with the “Stabginnings” and a darker rendition of “If You’re Happy and You Know It,” the tone is set as readers see Stabby through a series of job fails such as balloon seller ruining the merchandise or team-building coach whose horn proves deathly in trust falls. A dejected looking Stabby walks through a grocery store stocked with cereals like “Infeerios” and “Shredded Mini Dreams.” Stabby is often gender ambiguous but is noted as the father of assorted hybrid horned zoo animals. In a nod to current events, the irascible unicorn appears as a writer, literally juggling lots of plates when Pandemic, a red-eyed panda, shows up, smashing them all. This collection leans into the macabre—the number of skewered eyes alone is unfathomable—and the gallows humor could easily make it a cult favorite. The color illustrations have verve and energy, perfectly matching the mood of the collection.
An expression of our dark inner demons that is both hilarious and cathartic. (Graphic humor. 14-adult)Pub Date: Jan. 12, 2021
ISBN: 978-1-61345-205-9
Page Count: 96
Publisher: Hermes Press
Review Posted Online: Dec. 21, 2020
Kirkus Reviews Issue: Jan. 1, 2021
BOOK REVIEW
BOOK REVIEW
A clever and timely conversation on reclaiming identity and acknowledging one’s full worth.
Superman confronts racism and learns to accept himself with the help of new friends.
In this graphic-novel adaptation of the 1940s storyline entitled “The Clan of the Fiery Cross” from The Adventures of Superman radio show, readers are reintroduced to the hero who regularly saves the day but is unsure of himself and his origins. The story also focuses on Roberta Lee, a young Chinese girl. She and her family have just moved from Chinatown to Metropolis proper, and mixed feelings abound. Jimmy Olsen, Lois Lane’s colleague from the Daily Planet, takes a larger role here, befriending his new neighbors, the Lees. An altercation following racial slurs directed at Roberta’s brother after he joins the local baseball team escalates into an act of terrorism by the Klan of the Fiery Kross. What starts off as a run-of-the-mill superhero story then becomes a nuanced and personal exploration of the immigrant experience and blatant and internalized racism. Other main characters are White, but Black police inspector William Henderson fights his own battles against prejudice. Clean lines, less-saturated coloring, and character designs reminiscent of vintage comics help set the tone of this period piece while the varied panel cuts and action scenes give it a more modern sensibility. Cantonese dialogue is indicated through red speech bubbles; alien speech is in green.
A clever and timely conversation on reclaiming identity and acknowledging one’s full worth. (author’s note, bibliography) (Graphic fiction. 13-adult)Pub Date: May 12, 2020
ISBN: 978-1-77950-421-0
Page Count: 240
Publisher: DC
Review Posted Online: Feb. 29, 2020
Kirkus Reviews Issue: March 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced...
A pairing of the text of the Scottish Play with a filmed performance, designed with the Shakespeare novice in mind.
The left side of the screen of this enhanced e-book contains a full version of Macbeth, while the right side includes a performance of the dialogue shown (approximately 20 lines’ worth per page). This granular focus allows newcomers to experience the nuances of the play, which is rich in irony, hidden intentions and sudden shifts in emotional temperature. The set and costuming are deliberately simple: The background is white, and Macbeth’s “armor” is a leather jacket. But nobody’s dumbing down their performances. Francesca Faridany is particularly good as a tightly coiled Lady Macbeth; Raphael Nash-Thompson gives his roles as the drunken porter and a witch a garrulousness that carries an entertainingly sinister edge. The presentation is not without its hiccups. Matching the video on the right with the text on the left means routinely cutting off dramatic moments; at one point, users have to swipe to see and read the second half of a scene’s closing couplet—presumably an easy fix. A “tap to translate” button on each page puts the text into plain English, but the pop-up text covers up Shakespeare’s original, denying any attempts at comparison; moreover, the translation mainly redefines more obscure words, suggesting that smaller pop-ups for individual terms might be more meaningful.
Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced e-book makes the play appealing and graspable to students . (Enhanced e-book. 12 & up)Pub Date: Sept. 9, 2013
ISBN: N/A
Page Count: -
Publisher: The New Book Press LLC
Review Posted Online: Nov. 6, 2013
Kirkus Reviews Issue: Dec. 1, 2013
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