While this tale proves complex, once the hero’s mission gets rolling, the intrigue never wavers.
A fantasy sequel focuses on a quest in an unforgiving wilderness.
In Sprague’s follow-up to Out of the Grey (2021), Amot Rixin is a Kith ranger on an important mission. His goal is to retrieve a sword known as a striker that he lost. It may sound like a simple enough assignment, but it will be far from easy. Amot is sent, along with other rangers and queensmen, to an unwelcome place called Whisperwood. Amot and company are transported by fierce women called valkyries. The valkyries command grand flying creatures known as gryphons that have been specially bred. Although the rangers, queensmen, and valkyries are ostensibly all working together, their interactions are not always harmonious. Of course, when the action moves to Whisperwood, there are plenty of other entities to deal with. The place is full of wolflike people known as Wulvers. There are also aggressive ghost pines, which, as one character explains, his grandfather always warned him to steer clear of. From the very beginning, things do not go as planned. One of the valkyries vanishes while flying. Not long after, Amot finds himself in the company of a female Wulver. What else could possibly go wrong? It takes some pages to explain the many players involved. The multifaceted narrative shifts, chapter by chapter, among a number of characters, including Amot, a queensman named Eriff Haulik, and even at one point the hero’s dog, Howler. The details involved can prove tedious. For instance, different aspects of the valkyries are explained, such as why a “wind rider” is not the same as a “knightmaiden” and how a woman named Galewind has been “tied up with liaison duties.” Such information is not particularly key to the major events to come. Yet those events do not disappoint. The dangers of Whisperwood prove peculiar, memorable, and even funny. Human-Wulver relations become prime opportunities for danger as well as comedy. At one point, a Wulver wants a lantern even though he doesn’t actually know what one is. In the end, this wild country is well stocked with enticing developments and not just genre clichés.
While this tale proves complex, once the hero’s mission gets rolling, the intrigue never wavers.Pub Date: N/A
ISBN: N/A
Page Count: 350
Publisher: GaleWind Books
Review Posted Online: June 5, 2021
Review Program: Kirkus Indie
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
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