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THE IMMORTAL SERPENT

From the Bloodstone Dagger series , Vol. 1

A sensual and savage but nuanced epic fantasy tale.

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An archer joins a group of thieves as the world teeters on the brink of war in debut author Barron’s epic-fantasy series opener.

Jethis a Del’Cabrian soldier with impeccable archery skills and heightened senses. He’s with a squad of men in the desert who are intent on stopping a marriage between the Herrani and Tezkhan tribes. If the Herrani mage and overlord Nas’Gavarr, aka “the Immortal Serpent,” marries his daughter, Saf’Raisha, to Chief Ukhuna, he’ll have enough resources to take over the world. The Del’Cabrian soldiers easily capture their prey, and while Jeth takes a turn guarding Saf’Raisha, she reveals to him that she’s really Anwarr, a thief posing as the mage’s daughter to steal the Emerald of Dulsakh from Chief Ukhuna. When Jeth accidentally kills an abusive fellow soldier, his only choice is to help Anwarr escape. After they successfully obtain the Emerald, she brings him to the City of Herran to join her commune alongside thieves Lysandros, Ash, and Istari. They take orders from someone named Snake Eye, and their next assignment, stealing the Bloodstone Dagger from Nas’Gavarr, should yield their biggest score yet. Meanwhile, Vidya, a vengeful Harpy, won’t rest until the Immortal Serpent is dead. Barron launches a racy, culturally detailed saga that examines what it is to be an outsider: Anwarr, who sleeps with multiple partners, tells Jeth at one point that “The past only serves to keep you from truly being free,” and although he misses his home of Fae’ren, Jeth chooses a life full of danger and erotic adventurousness. Barron maintains tight control over the violence, ratcheting up the gore slowly until, later in the novel, one character’s skin is “ripped away with such force, his hair, clothing, and every accessory went with it.” A steady series of twists, including the debut of a shape-shifting “Flesh Mage,” will keep readers intrigued as the tale goes on. Lurid plot elements, such as the fact that Harpies require three male sacrifices for a powerful ritual, should transfix both horror and fantasy fans. Barron hints at a tempestuous sequel.

A sensual and savage but nuanced epic fantasy tale.

Pub Date: Dec. 3, 2017

ISBN: 978-1-989071-00-7

Page Count: 460

Publisher: Foul Fantasy Fiction

Review Posted Online: Feb. 16, 2021

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HOME IS WHERE THE BODIES ARE

Answers are hard to come by in this twisting tale designed to trick and delight.

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Three siblings on very different paths learn that their family home may be haunted by secrets.

Eldest daughter Beth is alone with her fading mother as she takes her final breath and says something about Beth’s long-departed brother and sister, who may not have disappeared forever. Beth is still reeling from the loss of her mother when her estranged siblings show up. Michael, the youngest, hasn’t been home since their father’s disappearance seven years ago. In the meantime, he’s outgrown his siblings, trading his share of the family troubles for a high-paying job in San Jose. Nicole, the middle child, has been overpowered by addiction and prioritized tuning out reality over any sense of responsibility, much to Beth’s disgust. Though their mother’s death marks an ending for the family, it’s also a beginning, as the three siblings realize when they find a disturbing videotape among their parents’ belongings. The video, from 1999, sheds suspicion on their father’s disappearance, linking it to a long-unsolved neighborhood mystery. Was it just a series of unfortunate circumstances that broke the family apart, or does something more sinister underlie the sadness they’ve all found in life? In chapters that rotate among the family’s first-person narratives, the siblings take turns digging up stories and secrets in their search for solace.

Answers are hard to come by in this twisting tale designed to trick and delight.

Pub Date: April 30, 2024

ISBN: 9798212182843

Page Count: 270

Publisher: Blackstone

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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