Another bio of the flamboyant astronomer and creator of Cosmos (see William Poundstone, p. 1391), from a veteran science writer (coauthor with George Smoot of Wrinkles in Time, 1993). Davidson credits Sagan’s influential Intelligent Life in the Universe, a collaboration with Russian astronomer I.S. Shklovskii, with awakening his own interest in science. He recognizes Sagan as a great popularizer, one of the preeminent translators of scientific ideas into the vernacular of his day. At the same time, he clearly distrusts the myth that Sagan often seemed to personify, that of the scientist as a sort of modern high priest, omniscient and above the fray. In this spirit, the biography often seems to be recounting Sagan’s career with an eye to undercutting that myth, if not necessarily the man himself. Thus the digs at Big Science, where political acumen counts for as much as research ability; the quotation of derogatory remarks from Sagan’s former friends (e.g., Harold Blum, who called his prose style “phony”); and hints that there were deep-seated irrational elements behind the cool surface of Sagan’s science. Sagan was clearly a man who made enemies as easily as friends, and Davidson has sought out both camps. The resulting portrait is not so much a debunking of Sagan, however, as a highlighting of certain qualities that might have increased his popular appeal. The “nuclear winter” episode, in which Sagan and several colleagues argued that even a “limited” nuclear war might lead to the extermination of human life, showed Sagan as an eminent scientific expert, paradoxically arguing that the issues involved were too important to leave to the experts. Likewise, in many ways Sagan’s constant advocacy of the search for life beyond Earth—the central science-fictional dream—was a key to the space program’s becoming hard reality. In the end, Davidson argues, Sagan’s influence in such matters may count for more than any of his books. A smoothly written, sometimes critical look at a leading scientific figure of our time.
Pub Date: Sept. 24, 1999
ISBN: 0-471-25286-7
Page Count: 576
Publisher: Wiley
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1999
BOOK REVIEW
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and...
A dense, absorbing investigation into the medical community's exploitation of a dying woman and her family's struggle to salvage truth and dignity decades later.
In a well-paced, vibrant narrative, Popular Science contributor and Culture Dish blogger Skloot (Creative Writing/Univ. of Memphis) demonstrates that for every human cell put under a microscope, a complex life story is inexorably attached, to which doctors, researchers and laboratories have often been woefully insensitive and unaccountable. In 1951, Henrietta Lacks, an African-American mother of five, was diagnosed with what proved to be a fatal form of cervical cancer. At Johns Hopkins, the doctors harvested cells from her cervix without her permission and distributed them to labs around the globe, where they were multiplied and used for a diverse array of treatments. Known as HeLa cells, they became one of the world's most ubiquitous sources for medical research of everything from hormones, steroids and vitamins to gene mapping, in vitro fertilization, even the polio vaccine—all without the knowledge, must less consent, of the Lacks family. Skloot spent a decade interviewing every relative of Lacks she could find, excavating difficult memories and long-simmering outrage that had lay dormant since their loved one's sorrowful demise. Equal parts intimate biography and brutal clinical reportage, Skloot's graceful narrative adeptly navigates the wrenching Lack family recollections and the sobering, overarching realities of poverty and pre–civil-rights racism. The author's style is matched by a methodical scientific rigor and manifest expertise in the field.
Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and Petri dish politics.Pub Date: Feb. 9, 2010
ISBN: 978-1-4000-5217-2
Page Count: 320
Publisher: Crown
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Jan. 1, 2010
BOOK REVIEW
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