by Keigo Higashino ; translated by Alexander O. Smith ‧ RELEASE DATE: Feb. 23, 2016
Less playful and more labored than its predecessors but just as ingenious in working one twist after another in a case that...
The third case for Tokyo homicide detective Shunpei Kusanagi and professor Manabu Yukawa, who teaches physics at Imperial University, takes them far away from Tokyo—and far back from the present day as well.
Yukawa, aka Detective Galileo, has come to the Green Rock Inn, in the little resort town of Hari Cove, to participate in a discussion of proposed undersea mining. Everyone involved agrees that Hari Cove is in danger, but some see the enemy as potential environmental disaster, while others, alarmed by the town’s steep decline from its heyday, see the project as a potential economic savior. The morning after the conference, the body of Masatsugu Tsukahara, another guest of the inn, is discovered at the bottom of a sea cliff. The local police are eager to close the case as an accident, but the discovery that Tsukahara was retired from Tokyo homicide brings his former colleagues into the case, and they soon discover that he was already dead from carbon monoxide poisoning when he fell, or more likely was tossed, from the cliff. Further inquiries reveal that Tsukahara came to Hari Cove not for the mining conference but to seek out Hidetoshi Senba, a man he’d arrested 16 years earlier for the murder of an unemployed nightclub hostess. Kusanagi can’t help thinking that his path would be a lot smoother if only he could locate the missing ex-convict himself or if he could at least figure out what business Tsukahara had with him. Yukawa, for his part, seems interested mainly in constructing experiments designed to teach elementary concepts in physics to Kyohei, the fifth-grader whose parents have sent him to Hari Cove to stay with his uncle, Green Rock Innkeeper Shigehiro Kawahata, his aunt Setsuko, and his cousin Narumi. But it’s Yukawa, as usual (Salvation of a Saint, 2012, etc.), who’ll carry off the sleuthing honors.
Less playful and more labored than its predecessors but just as ingenious in working one twist after another in a case that seems absolutely twist-proof.Pub Date: Feb. 23, 2016
ISBN: 978-1-250-02792-4
Page Count: 368
Publisher: Minotaur
Review Posted Online: Dec. 7, 2015
Kirkus Reviews Issue: Dec. 15, 2015
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by Keigo Higashino ; translated by Giles Murray
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by Leonie Swann & translated by Anthea Bell ‧ RELEASE DATE: June 5, 2007
All these problems are handsomely solved at the unsurprising cost of making the human characters less interesting than the...
Just when you thought you’d seen a detective in every guise imaginable, here comes one in sheep’s clothing.
For years, George Glenn hasn’t been close to anyone but his sheep. Everyday he lets them out, pastures them, reads to them and brings them safely back home to his barn in the guilelessly named Irish village of Glennkill. Now George lies dead, pinned to the ground by a spade. Although his flock haven’t had much experience with this sort of thing, they’re determined to bring his killer to justice. There are of course several obstacles, and debut novelist Swann deals with them in appealingly matter-of-fact terms. Sheep can’t talk to people; they can only listen in on conversations between George’s widow Kate and Bible-basher Beth Jameson. Not even the smartest of them, Othello, Miss Maple (!) and Mopple the Whale, can understand much of what the neighborhood priest is talking about, except that his name is evidently God. They’re afraid to confront suspects like butcher Abraham Rackham and Gabriel O’Rourke, the Gaelic-speaking charmer who’s raising a flock for slaughter. And even after a series of providential discoveries and brainwaves reveals the answer to the riddle, they don’t know how to tell the Glennkill citizenry.
All these problems are handsomely solved at the unsurprising cost of making the human characters less interesting than the sheep. But the sustained tone of straight-faced wonderment is magical.Pub Date: June 5, 2007
ISBN: 978-0-385-52111-6
Page Count: 368
Publisher: Flying Dolphin/Doubleday
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 15, 2007
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by Leonie Swann ; translated by Amy Bojang
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by Leonie Swann ; translated by Amy Bojang
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by Leonie Swann ; translated by Amy Bojang
by Dean Koontz ‧ RELEASE DATE: Dec. 28, 1999
Koontz widens his canvas dramatically while dimming the hard brilliance common to his shorter winners:1995’s taut masterpiece, Intensity, and 1998’s moon-drenched midsummer nightmare, Seize the Night. This time the author takes up mind control, wiring his tale into the brainwashing epics The Manchurian Candidate and last spring’s film The Matrix. The laser-beam brightness of his earlier bestsellers fades, however, as he stuffs each scene with draining chitchat and extra plotting that seldom rings with novelty. Martine “Martie” Rhodes, a video-game designer, has developed a rare mental disorder: autophobia, fear of oneself. Meanwhile, her husband Dusty’s young half-brother, Skeet Caulfield, has decided to jump off the roof of a building the two men are repairing—because Skeet has seen the Angel of the next world, who has revealed that things are pretty wonderful there, and he wants to come on over. Martie’s best friend, real-estate agent Susan Jagger, is newly coping with agoraphobia, fear of the outdoors. What’s more, Susan knows she’s being visited and raped at night by her separated husband, Eric, although all her doors and windows are locked. She can’t remember these rapes, but her panties are stained with semen. So when she sets up a camcorder to record her sleeping hours, she gets a huge surprise after viewing the tape. How these mental and physical events have come about—ditto the psychiatric background of the Keanuphobe millionairess who shows up (yes! she fears Keanu Reeves)—has something to do with the ladies’ psychiatrist, Dr. Mark Ahriman, the son of a famous dead movie director whose eyes the doctor keeps in a bottle of formaldehyde and studies, in hopes of siphoning off Dad’s inspiration. Although the whole story could have been told to better effect in 300 pages, Koontz deftly sidesteps clichÇs of expression while nonetheless applying an air pump to the suspense: an MO that keeps his yearly 17-million book sales afloat.
Pub Date: Dec. 28, 1999
ISBN: 0-553-10666-X
Page Count: 640
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1999
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