More a vehicle for the music than a story that stands alone.
This adaptation of “Rapunzel” casts the heroine as a flute player and makes the witch an inadvertent do-gooder while weaving in melodies from 10 classical music pieces in this book version of a successful 2010 audio CD of the same title.
The music is well-chosen and -played on the accompanying CD, likely to offer an appealing introduction to classical themes, and it is really the book’s raison d’être. The text is set with various typefaces and spacing (helpful for reading aloud) on cheery illustrations, apparently crayon and watercolors. A cartoonish storyteller character appears on many of the pages, and the exaggerated voices of the storyteller on the audio are similarly comedic. There’s an edge of mockery in the storytelling and the pictures that may be more appropriate for adults who share the story with children than the target audience itself. When Green Golly (the Rapunzel character) tells the bee that the music she has played for it was composed by Rimsky Korsakov, “the big fuzzball” replies, “Of course-a-kov.” A therapeutic talking mouse is a surprise addition. After the completion of the story with its appropriate musical interludes, guitar and flute play full pieces on the CD. Story and music are also available through QR codes in the book, which require downloading an app that requires registration.
More a vehicle for the music than a story that stands alone. (Fractured fairy tale. 4-10)Pub Date: Oct. 31, 2013
ISBN: 978-1-936172-62-7
Page Count: 52
Publisher: Eifrig
Review Posted Online: Sept. 13, 2013
Kirkus Reviews Issue: Oct. 1, 2013
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)
Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.
Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)Pub Date: July 1, 2014
ISBN: 978-1-60060-898-8
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
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