Exploring dreams as well as nightmares, this novel ventures to both familiar and unexpected places at varying speeds.
From Walker (The Golden Thread, 2004, etc.) comes a novel about one Christian man’s experiences with adultery in a changing world.
Paul Wilson, an inspector with the San Mateo County District Attorney’s Office, seems to have his life in fairly good shape. He has three happy children, a comfortable home, and a sturdy belief in God. Though he fears nuclear war and the spread of Communism, his biggest problem seems to be his wife, Barbara. Put simply, “She never seemed to have a great interest in sex.” As Paul laments, “Surely, I thought, there must be some woman somewhere in the world who would like to have sex with me!” So it is that this politically conservative (“Government programs just lead to boondoggling and waste,” he says) Mr. Fix-It (“I enjoyed doing my own maintenance work”) finds himself searching for, and eventually finding, extramarital affairs. As the narrator’s aptitude for erotic touching increases—e.g., “I took a breast into my hand and held it and pressed it and caressed it”—so does an eventual sense of guilt: “I wasn’t the Christian I should be.” After all, how can a man who categorizes careers based on their relevance to serving Christ (“When it came to employment, I thought, some jobs are inherently Christian”) reconcile such behavior? However, even as Paul causes strife with his family, he is unabashed about enjoying his sex life. Explaining one such tryst, Paul tells the reader, “I moved about the entrance for awhile, then plunged downward into the velvety and heavenly organ.” At 600-plus pages, this is more nuanced than a simple morality tale, and those who foresee a simple arc of sin and redemption will find surprises waiting in later chapters, especially as society itself takes a severe left turn. Getting there can be tedious, particularly as events of limited interest pop up, as with countless love letters and the matter-of-fact details of a trip to Southern California: “We walked along the beach at Santa Barbara; toured Universal City and Disneyland…and visited the mission and Old Town and Seaport Village at San Diego.”
Exploring dreams as well as nightmares, this novel ventures to both familiar and unexpected places at varying speeds.Pub Date: June 30, 2015
ISBN: N/A
Page Count: -
Publisher: Golden Door Press
Review Posted Online: Nov. 24, 2015
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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