This companion to a modern classic offers an even deeper, more layered depiction of the impact of a police shooting.

LIGHT IT UP

The shooting of an unarmed African American teen by police serves as catalyst for racial tension in a community still recovering from a previous tragedy.

This time, Shae Tatum, a 13-year-old girl, is shot by a white police officer. Two years have passed since the killing of Tariq Johnson, and the community organizations that arose in the aftermath are more active. Social media scrutiny has intensified, with the media and police focusing on public messaging. The officer’s family copes with being in the spotlight, and a minister who was in the limelight is now a senator. Tariq’s friend Tyrell is now focused on college and reluctant to dredge up bad memories, but his white roommate, Robb, is intrigued by the shooting and seems insensitive to Tyrell’s silence. The engagement of white supremacists and white women who protest in support of the police at Shae’s funeral add new wrinkles. As tensions escalate, divisions harden while the police and community await the decision of the grand jury. This follow-up to the author’s acclaimed How It Went Down (2014) uses multiple distinctive narrators, transcripts, and social media posts to convey the charged atmosphere as people must carry on with their lives while turmoil brews around them. The wide range of personalities, rich details, and nuanced connections make this a stellar and important read.

This companion to a modern classic offers an even deeper, more layered depiction of the impact of a police shooting. (Fiction. 14-18)

Pub Date: Oct. 22, 2019

ISBN: 978-1-250-12889-8

Page Count: 368

Publisher: Henry Holt

Review Posted Online: July 21, 2019

Kirkus Reviews Issue: Aug. 15, 2019

Did you like this book?

No Comments Yet

This gripping page-turner will keep readers guessing until the final twist.

SHE'S GONE

Seventeen-year-old Hunter Gifford has no memories of the car accident he was in the night of the homecoming dance with Chloe Summers, his now-missing girlfriend.

In the small southern Kentucky city of Bentley, comments on social media condemn Hunter as responsible for Chloe’s disappearance. When he attends the community vigil for her, Chloe’s mother publicly accuses Hunter of obstructing the investigation. Hunter’s own mom died when he was 15 and his sister, Olivia, was 12. Their dad has awkwardly attempted to pull his weight as a solo parent, and Hunter has stepped in and nurtured Livvy. Small but mighty Livvy is an ardent defender of her brother and is fiercely in love with her girlfriend, Gabriela. To make things worse, childhood friend Daniel informs Hunter that he’s making a true-crime documentary about Chloe. Hunter is upset, especially since it makes him look like a prime suspect, and a subsequent dramatic event draws more attention to the video. Hunter and Chloe met in creative writing club, and he knew she kept a journal—but it’s missing. Enter the sleuthing team of Hunter, Livvy, and Gabriela, who hatch a plan to find it. The dynamics between Hunter and Livvy and Livvy and Gabriela are endearing and will charm readers, who will root for them to solve the well-executed mystery. Main characters default to White; Gabriela is Mexican American.

This gripping page-turner will keep readers guessing until the final twist. (Thriller. 14-18)

Pub Date: Nov. 1, 2022

ISBN: 978-1-72825-420-3

Page Count: 360

Publisher: Sourcebooks Fire

Review Posted Online: Aug. 31, 2022

Kirkus Reviews Issue: Sept. 15, 2022

Did you like this book?

No Comments Yet

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

Reader Votes

  • Readers Vote
  • 23

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

Did you like this book?

more