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LOST SOULS

Part mystery, part supernatural thriller, part family drama, and all pretty obscure except to devoted fans of the Cainsville...

Has the legend of a vanishing hitchhiker come to life, or is it just a fae up to no good? Three interconnected mysterymongers straddling the line between the mundane and the supernatural must band together to investigate.

Gabriel Walsh wants to get back in the good graces of his assistant, Olivia, whom he’s recently wounded by implying that they're not friends. With Olivia on a trip out of town and out of touch, Gabriel has a limited amount of time to figure out a plan to get on her good side. Perhaps finding the perfect case for the two of them to investigate would do the trick. Enter Patrick, a mischievous fae and one of the Cainsville elders. Patrick knows both Gabriel and Olivia and is ready to take advantage of Gabriel’s predicament. His own motives for helping Gabriel find a case to investigate alongside Olivia are presented in interspersed chapters from his point of view. And the perfect case arrives: the urban legend of a hitchhiking ghost seems to have come to life and is haunting unsuspecting Chicago citizens and forcing them into unspeakable acts. Though Gabriel is reluctant to take the case because of trickster Patrick’s involvement, he can’t turn it down because he knows how interested Olivia will be. And she is, though she’s also unsure if they should take the case. Olivia knows Patrick’s interested in Gabriel because Gabriel’s the son he longs to become closer to. The three headstrong characters find themselves investigating whether the tale of the mysterious ghost has come true or the apparition is just a fae playing tricks on mortals. Their struggles to navigate their interpersonal relationships would be a lot easier if they could just be honest with each other.

Part mystery, part supernatural thriller, part family drama, and all pretty obscure except to devoted fans of the Cainsville series (Betrayals, 2016, etc.).

Pub Date: March 31, 2017

ISBN: 978-1-59606-821-6

Page Count: 192

Publisher: Subterranean Press

Review Posted Online: Jan. 22, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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BETWEEN TWO FIRES

An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.

Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.

The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.

An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.

Pub Date: Oct. 2, 2012

ISBN: 978-1-937007-86-7

Page Count: 432

Publisher: Ace/Berkley

Review Posted Online: Sept. 1, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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