A revealing look at the hidden role that games have played in human development for centuries.
An intriguing book that shows how games are much more than just diverting fun.
Clancy is a neuroscientist and physicist whose research focuses on the mechanics of human intelligence, and she has worked with the AI lab DeepMind. Consequently, she brings an interesting perspective to this study on games, game theory, and the meaning of games. People have played games for millennia (“Games are older than written language. Games like Go, chess, backgammon, and mancala are living artifacts”), but Clancy is most interested in games designed to simulate reality, even if in symbolic form. Chess was the classic example, used to teach and refine war strategy. The idea of simulations evolved toward attempts to forecast battle outcomes, using scale models of actual terrain and opposing teams of officers. Sometimes, this was spectacularly successful, but on other occasions, it failed due to unpredictable events. In any case, the idea of using games to simulate reality and predict outcomes became embedded in the culture, and the subsequent development of game theory gave it the patina of scientific certainty. It spread into virtually every aspect of modern life, including economics and politics. However, Clancy notes that these systems are bound by the creators’ rules, which assume rational self-interest from the players. The key issue is that human decision-making is not often rational, although it might be better to say that it entails a higher level of rationality than a game can incorporate. “Game theory is not a very good model of people,” writes Clancy, “but it’s good enough to be trouble.” While this is absorbing material, the nature of the subject means that parts of the book require close attention. For diligent readers, it’s well worth the effort.
A revealing look at the hidden role that games have played in human development for centuries.Pub Date: June 18, 2024
ISBN: 9780593538180
Page Count: 368
Publisher: Riverhead
Review Posted Online: March 20, 2024
Kirkus Reviews Issue: April 15, 2024
This is not an easy account to read, but it is important enough not to be forgotten.
A story of ordinary people, both victims and survivors, thrown into extraordinary history.
Pellegrino says his book is “simply the story of what happened to people and objects under the atomic bombs, and it is dedicated to the hope that no one will ever witness this, or die this way, again.” Images of Aug. 6, 1945, as reported by survivors, include the sight of a cart falling from the sky with the hindquarters of the horse pulling it still attached; a young boy who put his hands over his eyes as the bomb hit—and “saw the bones of his fingers shining through shut eyelids, just like an X-ray photograph”; “statue people” flash-fossilized and fixed in place, covered in a light snowfall of ashes; and, of course, the ghosts—people severely flash-burned on one side of their bodies, leaving shadows on a wall, the side of a building, or whatever stood nearby. The carnage continued for days, weeks, and years as victims of burns and those who developed various forms of cancer succumbed to their injuries: “People would continue to die in ways that people never imagined people could die.” Scattered in these survivor stories is another set of stories from those involved in the development and deployment of the only two atomic weapons ever used in warfare. The author also tells of the letter from Albert Einstein and Leo Szilard to Franklin D. Roosevelt that started the ball rolling toward the formation of the Manhattan Project and the crew conversations on the Enola Gay and the Bockscar, the planes that dropped the Little Boy on Hiroshima and the Fat Man on Nagasaki. We have to find a way to get along, one crew member said, “because we now have the wherewithal to destroy everything.”
This is not an easy account to read, but it is important enough not to be forgotten.Pub Date: Aug. 5, 2025
ISBN: 9798228309890
Page Count: 314
Publisher: Blackstone
Review Posted Online: May 3, 2025
Kirkus Reviews Issue: June 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Yes: it's high time for a de-romanticized, de-mythified, close-up retelling of the U.S. Space Program's launching—the inside story of those first seven astronauts.
But no: jazzy, jivey, exclamation-pointed, italicized Tom Wolfe "Mr. Overkill" hasn't really got the fight stuff for the job. Admittedly, he covers all the ground. He begins with the competitive, macho world of test pilots from which the astronauts came (thus being grossly overqualified to just sit in a controlled capsule); he follows the choosing of the Seven, the preparations for space flight, the flights themselves, the feelings of the wives; and he presents the breathless press coverage, the sudden celebrity, the glorification. He even throws in some of the technology. But instead of replacing the heroic standard version with the ring of truth, Wolfe merely offers an alternative myth: a surreal, satiric, often cartoony Wolfe-arama that, especially since there isn't a bit of documentation along the way, has one constantly wondering if anything really happened the way Wolfe tells it. His astronauts (referred to as "the brethren" or "The True Brothers") are obsessed with having the "right stuff" that certain blend of guts and smarts that spells pilot success. The Press is a ravenous fool, always referred to as "the eternal Victorian Gent": when Walter Cronkite's voice breaks while reporting a possible astronaut death, "There was the Press the Genteel Gent, coming up with the appropriate emotion. . . live. . . with no prompting whatsoever!" And, most off-puttingly, Wolfe presumes to enter the minds of one and all: he's with near-drowing Gus Grissom ("Cox. . . That face up there!—it's Cox. . . Cox knew how to get people out of here! . . . Cox! . . ."); he's with Betty Grissom angry about not staying at Holiday Inn ("Now. . . they truly owed her"); and, in a crude hatchet-job, he's with John Glenn furious at Al Shepard's being chosen for the first flight, pontificating to the others about their licentious behavior, or holding onto his self-image during his flight ("Oh, yes! I've been here before! And I am immune! I don't get into corners I can't get out of! . . . The Presbyterian Pilot was not about to foul up. His pipeline to dear Lord could not be clearer"). Certainly there's much here that Wolfe is quite right about, much that people will be interested in hearing: the P-R whitewash of Grissom's foul-up, the Life magazine excesses, the inter-astronaut tensions. And, for those who want to give Wolfe the benefit of the doubt throughout, there are emotional reconstructions that are juicily shrill.
But most readers outside the slick urban Wolfe orbit will find credibility fatally undermined by the self-indulgent digressions, the stylistic excesses, and the broadly satiric, anti-All-American stance; and, though The Right Stuff has enough energy, sass, and dirt to attract an audience, it mostly suggests that until Wolfe can put his subject first and his preening writing-persona second, he probably won't be a convincing chronicler of anything much weightier than radical chic.
Pub Date: Sept. 24, 1979
ISBN: 0312427565
Page Count: 370
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 13, 2011
Kirkus Reviews Issue: Sept. 1, 1979
BOOK TO SCREEN
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