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CHIRCHIR IS SINGING

An affecting slice of Kenyan village life presented by a skilled author and illustrator, both with African connections.

Chirchir, a little girl of the Kalenjin tribe in Kenya, cheerfully sings and tries to help her busy family with chores.

Her zeal is greater than her abilities, though, as she loses her grip on the well rope, lets the fire leap up to burn the chai and causes newly dug potatoes to roll down the terraced hill. “Little one, this work is not for you,” is the gently repeated admonition, as Chirchir is sent from one relative to another. Finally, spirits low, she hears a sound and runs to the brothers’ sleeping hut. Baby Kip-rop is crying, and big brother Kip-koech is sleeping through it! She cradles the baby and sings soothingly. Cunnane’s lilting text conveys respect for Kelenjin village life and the importance of children’s contributions to agrarian work. Her thoughtful portrait of Chirchir, striving to find her familial role, resonates across cultures. South African Daly’s soft acrylic pictures depict village life with a stylized, folkloric verve. Animals graze placidly as villagers work amid the sweeping backdrop of green hills and well-tended crops. At last, the family pauses. “What has made the day pass so sweetly? they wonder. / The answer comes on a breeze / that echoes through the hills and valleys / of Kenya. / Chirchir is singing.”

An affecting slice of Kenyan village life presented by a skilled author and illustrator, both with African connections. (author’s note, glossary) (Picture book. 3-7)

Pub Date: Aug. 23, 2011

ISBN: 978-0-375-86198-7

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: June 28, 2011

Kirkus Reviews Issue: July 1, 2011

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PAPA DOESN'T DO ANYTHING!

A tale of intergenerational bonding to be shared by grandparents and grandchildren.

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  • New York Times Bestseller

In talk-show host Fallon and illustrator Ordóñez’s latest picture-book collaboration, an elderly pooch waxes rhapsodic about a life well lived.

Observing Papa sitting in his chair watching TV all day, a young pup says, “I’m starting to think…you don’t do ANYTHING.” So Papa proceeds to list his accomplishments, both big and small, mundane and profound. Some are just a result of being older and physically bigger (being tall enough to reach a high shelf and strong enough to open jars); others include winning a race and performing in a band when he was younger. Eventually, the pup realizes that while Papa may have slowed down in his old age, he’s led a full life. The most satisfying thing about Papa’s life now? Watching his grandchild take center stage: “I can say lots of thoughts / but I choose to be quiet. / I’d rather you discover things and then try it.” Fallon’s straightforward text is sweetly upbeat, though it occasionally lacks flow, forcing incongruous situations together to fit the rhyme scheme (“I cook and I mow, / and I once flew a plane. // I play newspaper puzzles because it’s good for my brain”). Featuring uncluttered, colorful backgrounds, Ordóñez’s child-friendly digital art at times takes on sepia tones, evoking the sense of looking back at old photos or memories. Though the creators tread familiar ground, the love between Papa and his little one is palpable.

A tale of intergenerational bonding to be shared by grandparents and grandchildren. (Picture book. 3-6)

Pub Date: May 13, 2025

ISBN: 9781250393975

Page Count: 40

Publisher: Feiwel & Friends

Review Posted Online: May 3, 2025

Kirkus Reviews Issue: June 1, 2025

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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