The Los Angeles-based Lange, a local TV news anchor, drops more names than clues in a first thriller that rarely feels like more than a paint-by-numbers exercise. The title character is Devin Bradshaw, a 34-year-old former womenswear designer who gave up her burgeoning career when she snagged wealthy Paul Bradshaw away from his first wife. Paul is the owner of a large sports apparel company that manufactures a line called ``Pulled Together''—from which five percent of the retail prices are supposed to go to social programs in South-Central Los Angeles. Devin is planning to leave her 60-year-old husband and return to work (even though ``Having every material thing in the world that she could possibly desire was certainly seductive....It was every woman's dream'') when he's shot and killed in his car. In Lange's two-dimensional sense of things, Paul is the Hard-Hearted Businessman; his secretary and former lover is the Woman Scorned; his brother, Sam, is the Jealous Underachiever; a Pulled Together worker attempting to unionize the shop is an Angry Black Man; and so forth. Devin, however, is never satisfactorily defined, even in clichÇ terms, since the reader is meant to wonder whether or not she's the murderer. There is some campy fun here, not in terms of the supposed mystery, which is crystal-clear from the start, but from Lange's relentless use of real-life people and places to add gloss to the story. When Paul and Devin throw a fancy shindig, the Clintons show up, as do the Mosbachers (``albeit Republicans''); and when Devin dines at Spago, she encounters Cher ``with her bagel-boy boyfriend,'' Linda Evangelista, Wynona Ryder, and Heidi Fleiss. She even befriends a fashion model and discovers lesbian chic. Meanwhile, Lange certainly keeps things moving—the chapters are brief, and the cast is large. Entertaining for stargazers, but no big prize. (Literary Guild alternate selection)
Pub Date: June 1, 1995
ISBN: 0-684-80191-4
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1995
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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