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APEX PREDATOR

A thriller with the speed and precision of a tightly edited action film, headlined by a colossal monster that could give the...

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Chinese soldiers and Navy SEALs race to retrieve a fallen satellite in the Arctic Circle only to discover a common enemy in a gigantic sea creature in Kwa’s debut sci-fi thriller.

When the Chinese launch a satellite that’s capable of spotting subs, the U.S. government tries to hijack it electronically. After its attempt is intercepted, the satellite crashes to Earth. Master Chief Carter Bohem’s SEAL team is sent in to recover it, but they’re beaten to it by the People’s Liberation Army—but only by the one member who survived an attack by a serpentine beast. Capt. Marcus Cartaneo is ordered to extract the team, and soon the creature is pursuing his ship, the U.S.S. Seawolf. The author doesn’t waste any time introducing the monster: snakelike, coiled, with a “bullet-shaped head.” Its constant attacks are reminiscent of Hollywood action-movie scenes, and the author ramps up the suspense whenever the characters’ fates hang in the balance. But even in scenes without the sea serpent, the story keeps up a frenetic pace. At one point, for example, Marcus rushes to save his wife and daughter, stuck near a naval station during a hurricane. The gargantuan, multitoothed beast is terrifying, but its most frightening traits are its most humanlike—it doesn’t always attack for food but often for revenge, as it blames the crashed satellite for destroying its hatchlings. It’s also clearly intelligent; at one point, it creates a makeshift iceberg to prevent the soldiers’ escape. The human characters, meanwhile, aren’t static—Marcus, for example, is rethinking his life in the Navy after a colleague’s suicide. The novel’s environmental message is a bit heavy-handed, as it overtly blames global warming for the beast’s onslaughts and ensuing carnage, but it doesn’t slow the plot down.

A thriller with the speed and precision of a tightly edited action film, headlined by a colossal monster that could give the kraken a run for its money.

Pub Date: Dec. 9, 2013

ISBN: 978-1-4903-2005-2

Page Count: 668

Publisher: CreateSpace

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: April 1, 2014

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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