Another heady Irish stew spiked with wayward epigrams, one-word paragraphs, and lots and lots of Jamesons. Sláinte.
Galway private eye Jack Taylor finds himself awash in miracles, and not the good kind.
The whole city is abuzz with the news of "the miracle”—the spotting of a young girl bathed in an unearthly blue light that evokes Lourdes and Fatima. Jack is the beneficiary of a miracle of his own, a close encounter with a Mack truck that spared him but brought him into close contact with the miracle girl, Sara, who was trying to rob him as he regained consciousness. Jack emerges from the hospital to a raft of cases. Renee Garvey begs him to stop the husband who beats her and has now started beating their daughter. Stephen Morgan wants him to identify the online troll who drove his daughter to suicide. And Monsignor Rael, an investigator called in from Rome, wants him to find and quiet Sara because “the Church does not wish a miracle at this time.” Jack, more interested in a rash of fires set by wealthy forensic accountant Benjamin J. Cullen, asks his farmer/biker/falconer friend Keefer McDonald to help him whittle down the caseload. In shockingly fast succession, the docket is indeed diminished—not by the efforts of Jack and Keefer but by jolts of violence that claim a remarkable number of the very characters who seem to be driving the story. Eventually Jack, emerging from a lost weekend that extends to five or six days (naturally, he can’t remember), grabs the reins and takes control. Or does he?
Another heady Irish stew spiked with wayward epigrams, one-word paragraphs, and lots and lots of Jamesons. Sláinte.Pub Date: Nov. 3, 2020
ISBN: 978-0-8021-5703-4
Page Count: 256
Publisher: Mysterious Press
Review Posted Online: Aug. 18, 2020
Kirkus Reviews Issue: Sept. 1, 2020
IN THE NEWS
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.
Character assassination reigns supreme, if not uncontested, in a Long Island suburb.
April Masterson loves her husband, corporate attorney Elliott; their 7-year-old, Bobby; and her YouTube channel, “April’s Sweet Secrets.” What she doesn’t love is whoever’s texting her warnings about how Bobby isn’t really in their backyard while she’s busy filming her videos or withering critiques of her baking show or veiled accusations about her past and threats about her present. Her best friend, former prosecutor Julie Bressler, may be bossy and opinionated, but surely she’d never turn on April this way. Who else might know enough to send April goodies like a picture of her kissing Mark Tanner, Bobby’s soccer coach? Though April struggles to get Elliot to take her ordeal seriously, even when she shows up at his office for a lunch date, he’s protected by his receptionist, Brianna Anderson, whose attachment to her boss goes far beyond loyalty. Then Julie turns on her; Maria Cooper, her friendly new next-door neighbor, turns on her; and in the most mind-boggling scene, Doris Kirkland, April’s mother, whose dementia has brought her to a nursing home, turns on her. McFadden releases an escalating series of toxins so deftly into the suburban atmosphere that it’s practically an anticlimax when someone gets killed and April instantly becomes the prime suspect. But that’s only a setup for the tale’s boldest move: switching its narrator from April to a fair-weather friend who frames the whole nightmare in dramatically different terms. As a special gift to her savviest fans, the author throws in an even more jolting epilogue that’s as hard to forget as it is to believe.
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.Pub Date: March 3, 2026
ISBN: 9781464249600
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: Dec. 6, 2025
Kirkus Reviews Issue: Jan. 15, 2026
High-concept and highly entertaining.
Fiction writers compete to finish a famous author’s abandoned novel.
Seven writers, all but one published, have received invitations to spend the weekend with crime novelist Arthur Fletch, the world’s most successful author, on his private island off the coast of Scotland. When they arrive at his cliffside castle, they expect to take part in one of the literary salons for which Fletch is famous; instead, they’re greeted by his agent, who informs them that Fletch is dead. Why has there been nothing about this in the press? Because “there are some…loose ends that must be tied up first.” Fletch has left his eagerly anticipated final novel unfinished, so the agent has summoned the writers to the island for a competition: One of them will get to complete Fletch’s book. As premises go, this one’s a humdinger, courtesy of fantasy writer V.E. Schwab and YA author Cat Clarke, here joining forces as Clarke. The story contains an amusing throughline about the indignity of being an uncelebrated novelist; as the agent tells the assembled writers, the contest winner will receive both cash and something equally valuable: “a way out of the midlist.” The novel’s wandering perspective allows each writer to vent their private frustrations, especially with the publishing industry and with the book world’s genre hierarchy (the YA writer among the competitors understands that she and the romance writer are “supposed to support each other against the general snobbishness of the other genres”). Readers who have come for the crimes and the twists, both of which are plentiful, might grow impatient with all the characters’ backstories, but these readers will likely warm to the shop talk, which at its funniest plays like a kvetchy midlist-writers’ support group.
High-concept and highly entertaining.Pub Date: April 7, 2026
ISBN: 9780063444614
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
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