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The Freedom of Will

A religious-themed comedy of errors that presents a wry yet ultimately affectionate look at the state of godliness today.

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A gentle satire about one young man’s quest to find his spiritual identity.

When readers first meet teenager William James Tillit, the unlikely but good-hearted hero of Clatterbaugh’s debut novel, he’s in his bedroom in his aunt and uncle’s house, talking with God. But in Will’s case, God talks back to him directly—and often sarcastically. Will has been living with his aunt and uncle for most of his 19 years, but now, after obtaining a deferred admission to Tulane University, he’ll be traveling from Louisiana to East Texas to take a job working at the Galilee Theme Park run by the Rev. Shister. The prospect of the road trip excites him, although God is more phlegmatic about the whole idea, because Will is eager to experience the larger outside world. But his trip turns out to be far more adventurous than his highest hopes. Clatterbaugh expertly orchestrates a set of sometimes-funny, sometimes-touching, and always thought-provoking predicaments for Will, from attending a glitzy “mega-megachurch” whose motto is “Trust in the Lord—Guaranteed” (God himself is less than impressed) to meeting an agnostic hamster named Ham. Before Will can reach his theme park destination, he’s confronted by ultrazealous, psychotic doomsday preppers and captured by a fundamentalist militia group. As God puts it, the trip “sets a new standard in the broadening horizons department.” Along the way and seamlessly worked into the narrative, Will and his new friends and enemies manage to discuss many debate topics of current Christian theology, always in an energetic, approachable way. Clatterbaugh draws even the most outrageous characters with believable humanity, including God, whose running commentary on Will’s life is the comedic highlight of the book. Christians will love the strange concoction he serves up in these pages, and non-Christians will appreciate the evenhandedness of the many spiritual discussions.

A religious-themed comedy of errors that presents a wry yet ultimately affectionate look at the state of godliness today.

Pub Date: June 24, 2016

ISBN: 978-1-4602-8302-8

Page Count: 318

Publisher: FriesenPress

Review Posted Online: Aug. 22, 2016

Kirkus Reviews Issue: Nov. 15, 2016

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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