With an announced million-copy initial printing and a national author tour, this is sure to be one of the season’s...
A massive, cat-squashing, multigenerational and multifamilial saga, the first volume of what Follett (World Without End, 2007, etc.) promises as a trilogy devoted to the awful 20th century.
The giants in question, metaphorically, are the great and noble families of old Europe, a generally useless lot with a few notable exceptions. One such worthy, Lord Fitzherbert (try not to think of Bridget Jones here), is a sun around which lesser planets circle, a decent fellow who had been an admiral, British ambassador to the tsar’s court at St. Petersburg, and a government minister. His son, Earl Fitzherbert, is less notable, if fabulously wealthy: He “had done nothing to earn his huge income,” and the presence of the awful Liberals in Parliament, Winston Churchill among them, keeps him from coming into his own as the great foreign secretary he wishes he could be. Into the Fitzherbertian orbit fall the Williamses, Welsh colliers of sweet voice and radical disposition; if Follett’s sprawling story has a center, it is in Billy, who is but 13 as the saga opens and has a great deal of growing up to do. In the outlying reaches of the galaxy is Grigori Peshkov, plotter of the Bolshevik victory and slayer of tsarist officers in a scene straight out of Doctor Zhivago, a confidant of Trotsky’s, who figures in the later pages (“Trotsky took the bad news calmly. Lenin would have thrown a fit”). He’s just one of history’s greats to bow into Follett’s pages: Churchill figures into the story, as does Woodrow Wilson. But so, too, does a full six-page dramatis personae, so that there’s never a dull or unpeopled moment. Throughout it all, Follett keeps a dependable narrative chugging along; if the writing is never exalted, it is never less than workmanlike, though one wonders about anachronisms here and there. (Did Woodrow Wilson, college president and master diplomat, really say “Heck”?)
With an announced million-copy initial printing and a national author tour, this is sure to be one of the season’s inevitable and unavoidable blockbusters—and not undeservedly.Pub Date: Sept. 28, 2010
ISBN: 978-0-525-95165-0
Page Count: 1008
Publisher: Dutton
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 15, 2010
Complex, epic, and rich in historical detail—an uplifting story of finding friendship behind enemy lines.
During World War II, five Americans head to Nazi-occupied France on a secret mission for the OSS, but only four return.
Twenty years later, OSS case officer Alistair Renault finds a clue in a history book that the missing member of their group might have survived after all. He flashes back to the beginning of the operation, when he first assembled the team he dubbed “Dragonfly”—three men and two women who were chosen for their special skills and secret connection to the war. The five recruits bond in training, but once on their mission, they split up to avoid being caught by the enemy and communicate by making marks on a mural painted on the courtyard wall of a convent. Their cover stories offer surprising glimpses of daily life for the French and their German occupiers. (And a character list at the beginning of the book helps keep their real names and aliases straight.) Christoph Brandt, a track-and-field coach who couldn’t be drafted to the American military due to his missing thumb, learns firsthand how the Hitler Youth are taught to bully. He ingratiates himself with the Nazis by tutoring the son of the head of the Abwehr German intelligence agency in France. But the Nazis won’t be fooled for long. Civil engineer Samuel “Bucky” Barton risks being discovered by Christoph’s old friend from his hometown who betrayed his country to join the Third Reich. Working side by side with the enemy, the Americans are surprised to learn that some of the Nazis are not what they seem. Tired, disillusioned, and looking for redemption, they blur the line between friend and foe, giving Dragonfly both a way into the organization and a way out of the war.
Complex, epic, and rich in historical detail—an uplifting story of finding friendship behind enemy lines.Pub Date: July 9, 2019
ISBN: 978-1-53873222-9
Page Count: 576
Publisher: Grand Central Publishing
Review Posted Online: April 13, 2019
Kirkus Reviews Issue: May 1, 2019
IN THE NEWS
A satisfyingly streamlined World War II thriller.
During the Nazi occupation of Paris, an architect devises ingenious hiding places for Jews.
In architect Belfoure’s fiction debut, the architectural and historical details are closely rendered, while the characters are mostly sketchy stereotypes. Depraved Gestapo colonel Schlegal and his torturer lackeys and thuggish henchmen see their main goal as tracking down every last Jew in Paris who has not already been deported to a concentration camp. Meanwhile, Lucien, an opportunistic architect whose opportunities have evaporated since 1940, when the Germans marched into Paris, is desperate for a job—so desperate that when industrialist Manet calls upon him to devise a hiding place for a wealthy Jewish friend, he accepts, since Manet can also offer him a commission to design a factory. While performing his factory assignment (the facility will turn out armaments for the Reich), Lucien meets kindred spirit Herzog, a Wehrmacht officer with a keen appreciation of architectural engineering, who views capturing Jews as an ill-advised distraction from winning the war for Germany. The friendship makes Lucien’s collaboration with the German war effort almost palatable—the money isn’t that good. Bigger payouts come as Manet persuades a reluctant Lucien to keep designing hideouts. His inventive cubbyholes—a seamless door in an ornamental column, a staircase section with an undetectable opening, even a kitchen floor drain—all help Jews evade the ever-tightening net of Schlegal and his crew. However, the pressure on Lucien is mounting. A seemingly foolproof fireplace contained a disastrous fatal flaw. His closest associates—apprentice Alain and mistress Adele—prove to have connections to the Gestapo, and, at Manet’s urging, Lucien has adopted a Jewish orphan, Pierre. The Resistance has taken him for short drives to warn him about the postwar consequences of collaboration, and his wife, Celeste, has left in disgust. Belfoure wastes no time prettying up his strictly workmanlike prose. As the tension increases, the most salient virtue of this effort—the expertly structured plot—emerges.
A satisfyingly streamlined World War II thriller.Pub Date: Oct. 1, 2013
ISBN: 978-1-4022-8431-1
Page Count: 384
Publisher: Sourcebooks Landmark
Review Posted Online: March 24, 2013
Kirkus Reviews Issue: April 15, 2013
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