The former enfant terrible of British cinema, now in his 60s, bares all, pretty much. Russell takes his life episodically, hopping about with flashbacks and flashforwards in no particular chronology. In print, he is a charming, sometimes waspish storyteller with axes to grind only against his American distributors who have taken his pictures and lopped off whole reels (e.g., The Boy Friend). Raised in the working-class, he introduces us to his mother and father as dad prepares senile mom for her last days in a nursing home. He pieces together his days in the RAF and the Merchant Marine and five years as a ballet student and dancer. Russell early fell in love with photography, and his amateur films earned him entrance into TV, where he made exciting shows about composers. That these shows were often viewed as pictorially cuckoo travesties in no way damped his spirits: he didn't see them that way. And he had access to bottled spirits anyway, ever breakfasting on a half-bottle of champagne to get the morning charged up, with an iced bucket of bubbly at his side throughout the day's shooting. Through Russell's eyes, his work seems a lot less appalling than it is famed to be—a fame reinforced by the posing Nazis in Mahler, the TV set that erupts with chocolate sauce and buries Ann-Margaret in Tommy, the shrinkage of Liszt to rock-'n'-roll pop-star satyr in Lisztomania (a degradation Russell feels was forced upon him when he was unbankable). Highlights include duels with Paddy Chayevsky during the making of Altered States and with Bob Guccione for an aborted Moll Flanders, his first wife Shirley's tit-for-tat adultery with their chauffeur, and Oliver Reed's way of puffing himself up behind a screen for the nude wrestling scene in Women in Love. A modest demythologizing from the horse's mouth. (Photographs—not seen.)
Pub Date: Dec. 16, 1991
ISBN: 0-553-07831-3
Page Count: 352
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1991
The memoir of George Dawson, who learned to read when he was 98, places his life in the context of the entire 20th century in this inspiring, yet ultimately blighted, biography. Dawson begins his story with an emotional bang: his account of witnessing the lynching of a young African-American man falsely accused of rape. America’s racial caste system and his illiteracy emerge as the two biggest obstacles in Dawson’s life, but a full view of the man overcoming the obstacles remains oddly hidden. Travels to Ohio, Canada, and Mexico reveal little beyond Dawson’s restlessness, since nothing much happens to him during these wanderings. Similarly, the diverse activities he finds himself engaging in—bootlegging in St. Louis, breaking horses, attending cockfights—never really advance the reader’s understanding of the man. He calls himself a “ladies’ man” and hints at a score of exciting stories, but then describes only his decorous marriage. Despite the personal nature of this memoir, Dawson remains a strangely aloof figure, never quite inviting the reader to enter his world. In contrast to Dawson’s diffidence, however, Glaubman’s overbearing presence, as he repeatedly parades himself out to converse with Dawson, stifles any momentum the memoir might develop. Almost every chapter begins with Glaubman presenting Dawson with a newspaper clipping or historical fact and asking him to comment on it, despite the fact that Dawson often does not remember or never knew about the event in question. Exasperated readers may wonder whether Dawson’s life and his accomplishments, his passion for learning despite daunting obstacles, is the tale at hand, or whether the real issue is his recollections of Archduke Ferdinand. Dawson’s achievements are impressive and potentially exalting, but the gee-whiz nature of the tale degrades it to the status of yet another bowl of chicken soup for the soul, with a narrative frame as clunky as an old bone.
Pub Date: Feb. 1, 2000
ISBN: 0-375-50396-X
Page Count: 288
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1999
That sense of joy infuses these gentle essays. “Old age sits in a chair,” writes Hall, “writing a little and diminishing.”...
The writing life at age 85.
In this collection of 14 autobiographical essays, former U.S. Poet Laureate Hall (Christmas at Eagle Pond, 2012, etc.) reflects on aging, death, the craft of writing and his beloved landscape of New Hampshire. Debilitated by health problems that have affected his balance and ability to walk, the author sees his life physically compromised, and “the days have narrowed as they must. I live on one floor eating frozen dinners.” He waits for the mail; a physical therapist visits twice a week; and an assistant patiently attends to typing, computer searches and money matters. “In the past I was often advised to live in the moment,” he recalls. “Now what else can I do? Days are the same, generic and speedy….” Happily, he is still able to write, although not poetry. “As I grew older,” he writes, “poetry abandoned me….For a male poet, imagination and tongue-sweetness require a blast of hormones.” Writing in longhand, Hall revels in revising, a process that can entail more than 80 drafts. “Because of multiple drafts I have been accused of self-discipline. Really I am self-indulgent, I cherish revising so much.” These essays circle back on a few memories: the illness and death of his wife, the poet Jane Kenyon, which sent him into the depths of grief; childhood recollections of his visits to his grandparents’ New Hampshire farm, where he helped his grandfather with haying; grateful portraits of the four women who tend to him: his physical therapist, assistant, housekeeper and companion; and giving up tenure “for forty joyous years of freelance writing.”
That sense of joy infuses these gentle essays. “Old age sits in a chair,” writes Hall, “writing a little and diminishing.” For the author, writing has been, and continues to be, his passionate revenge against diminishing.Pub Date: Dec. 2, 2014
ISBN: 978-0544287044
Page Count: 144
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Sept. 15, 2014
Kirkus Reviews Issue: Oct. 1, 2014
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