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GOODBYE SPRING, HELLO SUMMER

A lovely “goodbye” to this excellent concept series.

Pak comes full circle, completing the series of books that began with 2016’s Goodbye Summer, Hello Autumn.

The author/illustrator’s nuanced introductions to seasonal transitions have been as reliable and relatable as the seasons themselves. Even the colors of the letters on the title page are apt, with cool greens and blues giving way to hot orange. A tan-skinned child with long dark hair tied back with a red bow walks outside (“Hello, spring afternoon”). Raindrops trace diagonals across the blue sky, past white clapboard houses with sloping roofs, mullioned windows, and dark shutters. As the rain stops, the landscape changes to “rolling hills” and, in the distance, a long white building. It’s a school, near a church and playground, but the narrator doesn’t pause; after all, as a sign indicates, “School’s out.” The text is a brief dialogue, apparently between the child (“Hello, fluttering butterflies”) and the natural surroundings (“Hello! We’re flying in and out of the sunrays”). Seasonal flowers introduce themselves, as do a forest’s trees and chickadees. The protagonist approaches a group of smaller, diverse children; a tan-skinned one (perhaps a sibling) runs over. It’s time to say hello to the “big setting sun” as they retrace the afternoon’s path, depicted via a bird’s-eye view, until the sunrise heralds a summer morning. Luminous illustrations deploy simplified but specific forms with well-chosen detail accompanying minimal, repetitive words, resulting in a delicately wrought, immersive experience.

A lovely “goodbye” to this excellent concept series. (Picture book. 3-7)

Pub Date: May 6, 2025

ISBN: 9781250151735

Page Count: 32

Publisher: Godwin Books

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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CHICKA CHICKA TRICKA TREAT

From the Chicka Chicka Book series

A bit predictable but pleasantly illustrated.

Bill Martin Jr and John Archambault’s classic alphabet book Chicka Chicka Boom Boom (1989) gets the Halloween treatment.

Chung follows the original formula to the letter. In alphabetical order, each letter climbs to the top of a tree. They are knocked back to the ground in a jumble before climbing up in sequence again. In homage to the spooky holiday theme, they scale a “creaky old tree,” and a ghostly jump scare causes the pileup. The chunky, colorful art is instantly recognizable. The charmingly costumed letters (“H swings a tail. / I wears a patch. J and K don / bows that don’t match”) are set against a dark backdrop, framed by pages with orange or purple borders. The spreads feature spiderwebs and jack-o’-lanterns. The familiar rhyme cadence is marred by the occasional clunky or awkward phrase; in particular, the adapted refrain of “Chicka chicka tricka treat” offers tongue-twisting fun, but it’s repeatedly followed by the disappointing half-rhyme “Everybody sneaka sneak.” Even this odd construction feels shoehorned into place, since “sneaking” makes little sense when every character in the book is climbing together. The final line of the book ends on a more satisfying note, with “Everybody—time to eat!”

A bit predictable but pleasantly illustrated. (Picture book. 3-7)

Pub Date: July 15, 2025

ISBN: 9781665954785

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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