A worthy tribute to an eternally fascinating star.
Sumptuously illustrated life of one of stage and screen’s greatest tragic figures, published in time for the centennial of her birth.
Vivien Leigh (1913–1967) will forever be associated with two milestone, Oscar-winning roles in film: Scarlett O’Hara in Gone with the Wind and Blanche DuBois in the film version of A Streetcar Named Desire. Both happen to be larger-than-life Southern belles, but Leigh was, of course, British (born and raised in India during the Raj period) and fervently patriotic about it. A woman of strong ambition and will, once she decided, as the young wife of a magistrate, that it was the actor’s life for her, her ascent to stardom was rapid. The catalyst for her rise was a passionate love affair with another ambitious young actor, Laurence Olivier, who would become her husband within a year of her triumph as Scarlett and whom she regarded as both mentor and the love of her life. Leigh began with limited talents (a weak, high voice and little experience and training), but she was determined to keep pace with her husband, whether playing opposite him or in roles of her own choosing. Most critics thought she succeeded admirably in the theater and on film, but she let the cruel dismissals of Olivier-worshipping critic Kenneth Tynan get under her skin. Though hardworking by nature, she was prone to both physical and mental illnesses, from manic depression, which ultimately alienated her from Olivier, to tuberculosis, which killed her prematurely at age 53. First-time author Bean tells Leigh’s story affectingly, aided by access to personal letters from the principals and the memories of some of her closest friends.
A worthy tribute to an eternally fascinating star.Pub Date: Nov. 1, 2013
ISBN: 978-0-7624-5099-2
Page Count: 288
Publisher: Running Press
Review Posted Online: Aug. 30, 2013
Kirkus Reviews Issue: Sept. 15, 2013
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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