A worthy tribute to an eternally fascinating star.



Sumptuously illustrated life of one of stage and screen’s greatest tragic figures, published in time for the centennial of her birth.

Vivien Leigh (1913–1967) will forever be associated with two milestone, Oscar-winning roles in film: Scarlett O’Hara in Gone with the Wind and Blanche DuBois in the film version of A Streetcar Named Desire. Both happen to be larger-than-life Southern belles, but Leigh was, of course, British (born and raised in India during the Raj period) and fervently patriotic about it. A woman of strong ambition and will, once she decided, as the young wife of a magistrate, that it was the actor’s life for her, her ascent to stardom was rapid. The catalyst for her rise was a passionate love affair with another ambitious young actor, Laurence Olivier, who would become her husband within a year of her triumph as Scarlett and whom she regarded as both mentor and the love of her life. Leigh began with limited talents (a weak, high voice and little experience and training), but she was determined to keep pace with her husband, whether playing opposite him or in roles of her own choosing. Most critics thought she succeeded admirably in the theater and on film, but she let the cruel dismissals of Olivier-worshipping critic Kenneth Tynan get under her skin. Though hardworking by nature, she was prone to both physical and mental illnesses, from manic depression, which ultimately alienated her from Olivier, to tuberculosis, which killed her prematurely at age 53. First-time author Bean tells Leigh’s story affectingly, aided by access to personal letters from the principals and the memories of some of her closest friends.

A worthy tribute to an eternally fascinating star.

Pub Date: Nov. 1, 2013

ISBN: 978-0-7624-5099-2

Page Count: 288

Publisher: Running Press

Review Posted Online: Aug. 30, 2013

Kirkus Reviews Issue: Sept. 15, 2013

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.


The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...


Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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